#may Athena watch over you all

[catladychronicles]

🦉🌛

[keerysfreckles]

I saw you asked for luke requests so basically here i am😭😭

Luke x daughter of Apollo reader, who is just so unbelievably sweet and sunny and awesome and Luke who is genuinely head over heels for this girl he’s barely even talked to. Perhaps Annabeth utilizing forced proximity??

daylight — luke castellan

pairing: luke castellan x apollo fem!reader

warnings: use of y/n and she/her pronouns, kissing, percabeth!!!

a/n: did i steal the jackie x cole kiss from my life with the walter boys as reader and lukes kiss..? .......no...

masterlist !

꒰ა �� ໒꒱

y/n wasn't sure what attracted her to luke castellan. maybe it was his charm, especially how charming he was when she first arrived to camp. maybe it was his looks. y/n always thought luke was way better looking than his siblings (don't let him find that out). or was it how she always felt giddy around him? she never felt this way around other campers, so what made luke so special?

the apollo girl was trying to figure it out on the way to breakfast, when a pair of hands clapped down on her shoulders. it brought her out of her trance.

the culprit was the hermes boy she couldn't get out of her head. luke castellan. along with annabeth beside him. y/n was confused once percy wasn't there. wherever annabeth went, percy followed.

"you've been so lost in thought recently, you okay?" y/n could tell luke was sincere while asking.

she only shrugs, "just have a lot on my mind i guess," she sends a smile to the pair before rejoining her own siblings at the apollo table.

annabeth simply shrugs towards luke, who's clearly just as confused by y/n's actions.

all throughout breakfast, luke couldn't keep his gaze away from y/n. her thoughts from earlier must have vanished. luke watched as she smiled brightly with her siblings. a smile that could light up the whole room, luke thought.

as cliche as it sounds, the way the sun was rising shined against y/n's hair perfectly. it was as if there was a halo surrounding her, securing the fact that she embodied sunlight.

when campers talked to y/n, they always left with a smile. luke was a victim to that as well.

as annabeth was walking back to her own table, with her second round of breakfast on her plate, she caught lule staring at y/n.

annabeth leaned down to luke, and the action made the boy jump, only making annabeth laugh. "and we're dreamily looking at y/n why?"

"damn annabeth, why don't you just restart my heart while you're at it."

"you didn't answer my question."

"i doubt i have a chance with her," luke sighs.

"you mean as in a relationship?"

luke nods, and annabeth sits beside him, not caring about the table rules in this very moment.

"why do you think she may not like you back?" annabeth questions.

"do you see her?" annabeth nods, choosing to ignore luke's grand hand gestures towards you. "she's the literal sun. everything about her is so pure, and positive, and perfect. what would she even like about me?"

"well, have you talked to her about this?"

luke looked at annabeth as if she had three heads and each one had smoke blowing out of it's ears.

"why on earth would i tell her? do i want to be made fun of by the most breath-taking girl at camp?" he said it if it were obvious.

without a word, annabeth left. this only confused luke. annabeth always had to have the last word in the conversation. luke knew she was planning something. he just wasn't sure what.

—

"why would there be a dolphin in the library of your cabin?"

to say y/n was beyond confused would be an understatement.

less than five minutes ago, annabeth informed her of a rabid dolphin placed in the middle of her library in athena cabin. y/n couldn't even get a thought out before annabeth started dragging her out of her own cabin.

"probably percy's idea. i don't know i haven't asked him yet." annabeth was still dragging y/n by her wrist.

"why don't you ask your little boyfriend about it and not me?" y/n offers. she sees annabeth become flustered as her grip loosens only for a moment, before the two girls end up outside the library door of athena cabin.

y/n pointed to the closed door, "and what exactly do you think i'm going to be able to do about a rabid dolphin?"

"you'll know," annabeth simply states, before pushing y/n inside quite aggressively. y/n hears the door lock.

"did you get the deranged raccoon story too?"

y/n turns to see luke looking through some of the books. she soon realized annabeth's little plan she had going on.

"no, not raccoons," y/n laughs, "a rabid dolphin actually."

"at least yours seems cooler," luke jokes.

y/n leans back against a wall and crosses her arms, already hating the slight awkward tension of the room.

"why would annabeth even trap us in here together? we barely know each other."

luke shrugs, "maybe that's what she wanted. for us to get to know each other better."

"i'm sorry, but doesn't annabeth, daughter of athena, goddess of wisdom, have something better to do with her time than trap two camp counselors in her library?"

luke couldn't help but laugh at the girl's response. she did have a point.

simply with the desk lamp light glowing towards y/n, luke still thought she looked like a human version of the sun.

"you're staring."

luke didn't even realize a few minutes have passed.

y/n only giggles at his flushed appearance, and walks over to stand beside him at the desk. a few books are opened. probably from annabeth doing more research about gods-knows-what. luke was now turned towards the books, and he felt y/n lean her chin upon his shoulder.

"do i make you nervous castellan?" she teases, jokingly at first. until she realizes he just tensed up at her phrase.

she slaps his upper arm, "oh my gods, i do make you nervous!" she exclaims.

luke rolls his eyes, "yeah, yeah, rub it in."

"am i dreaming right now? or does the luke castellan get nervous around me? and not some aphrodite camper?"

"aphordite's daughters have nothing on you," luke doesn't dare to make eye contact with the girl, but he's well aware of her staring. "you're literally a walking ray of sunshine. what can't i like about you?"

y/n involuntarily blushes at the compliment. she then places her chin back on luke's shoulder. finally, the taller boy looks at her. he swore he saw golden flakes dancing around her pupils.

there was a sudden change in atmosphere. neither of them could pin point why, but they weren't opposed to it.

"when i first got to camp, you made me nervous," y/n admits.

luke's eyebrows raise, "really?"

she simply nods, "the cool guy hermes camper wanted to talk to me more than his own brothers? of course you made me nervous."

both of them laugh at y/n's words, knowing they're nothing but true.

"why didn't you tell me before?" y/n asks, referring to luke's confession moments ago.

"i was worried you'd find it odd. and maybe you wouldn't want to talk to me, it's dumb i know," luke cuts himself off from his own rambling.

"it's definitely not odd," y/n reassures, "it's kinda cute, like you."

luke wasn't sure if he heard that last part right. maybe he just imagined it in his head, as something he wanted to hear. but he turned his head to face y/n. he was met with her staring back up at him, with worry filling her eyes as he didn't respond back.

"i like you luke, probably a lot more than i should," y/n moves her body away from luke's as she begins to walk towards the other side of the library.

however before she can even walk three steps away from the boy, his hand grabs at her wrist, halting her moments.

silence fills the room. not an uncomfortable one, but a steady silence.

luke pulls at y/n's wrist, making her hand collide with his chest. because of their height difference, now y/n had to look up at him. she gulped quietly, scared of what luke was going to say, or do to her.

the next event only confused y/n more.

luke leaned down and kissed y/n on the lips. she closed her eyes and savored the short but sweet feeling. in fact, it was too short for her liking. she broke her arm away from luke's grasp and he thought he was done for right then and there when she grabbed the back of his neck to bring his lips to hers again.

this time the kiss was much more passionate. months or maybe years of pent up emotions spilling out into it.

the two were too caught up in the moment as a muffled voice from behind the door became louder, and the door opened with the same voice following.

"do you really have a dolphin- OH MY GODS,"

y/n and luke turn to see percy standing in the doorway, with annabeth running up behind him.

"i tried to tell him," annabeth defended. "come on seaweed brain, let them have their moment."

"right sorry," percy then closed the door, before opening it again, "leave enough space for jesus between you two. i mean it!"

[missglaskin]

Yan!HOTD Characters as Greek Gods

I want to thank @aphroditelovesu for giving me the inspiration, also side note do not take the gods canonical relationships literally

Viserys as Hades + God of the Underworld and the Dead

Viserys was a god who stood out from the gloomy darkness of his realm. The seat once shared by his beloved wife is now long dead with all the other souls. No temples were erected in his honor on the earthly soil, for the underworld served as his shrine. Still, Viserys lent many of his powers and crafts to help the other gods defeat their enemies, either it be a monster or a titan. When he needed to see his family, he would emerge to the earth itself. There a moral caught his eye. 

Viserys spent a great deal of time observing your everyday life. He enjoyed catching on to all your little habits and tendencies. The god was prepared to wait until your life's string came to an end. In the mean time, all good things came your way. While he wouldn't be able to stop your death from happening, he can certainly make it as peaceful and painless as possible. Viserys will welcome you with the greatest warmth when you arrive in his realm, and you will be surrounded by servants who will carry out your every wish.

Just as he has done all those other times Viserys will give you the time and space you need to adjust to this new, strange world. Desiring your happiness, Viserys might let you visit Earth but only for a short time. The god can't go too long without you by his side. He detests the idea of using coercion to get what he wants, but Viserys must make sure you never leave him. It is a blessing that you are a mortal, completely unaware of the pomegranate seeds that are given to you.

Daemon as Ares + God of War and Courage 

It was Daemon, out of all the gods, who was most frowned upon, the one with the endless list of foes. Many came to fear him and they had every reason to. For Daemon was a powerful god-quick to anger and raring for a fight regardless of the consequences. A jest spread among the gods was that Daemon's one and only true love was war itself. But what a shock it was to see the mortal in the god's arms. With his remarks and the severe violence he inflicted upon the mortals, Daemon, again and again demonstrated nothing but contempt and superiority over them.

Why you attracted the god of war's attention will forever remain a mystery. Could it be you had a fire inside of you that never went out or you had such a gentle soul that the god saw it as his duty to ruin you, or perhaps he saw you as a fair trade for one of his victories. Truthfully, Daemon himself is not fully sure what drew him to you. Still, the god comes to you, luring you in with lavish gifts and words sweet as honey. And if you aren’t compliant, the god sees no issue picking you up while you struggle to free yourself-screaming and clawing. 

Daemon has no care for what other Olympian deities thought when he kept you near him. They were already not fond of him and he was amused to no end to see their frustration, even having you displayed seated on his lap. Your life with Daemon is strangely not as dull and miserable as one might anticipate. He will always be rough and harsh, but you are shown a rare side of gentleness. You may never know if the god truly loves you, but you can be sure that if someone takes what he views as his, he will go to war a hundred times over it.

Rhaenyra as Athena + Goddess of Wisdom and War

Rhaenyra is a goddess with pride. A great warrior. Rhaenyra does not, however, hold humankind in such low regard as the many gods who came before her. She saw herself as their protector and rewarded those who came to worship in her temple. But it's not as if she isn't dangerous. The goddess is unmerciful in her use of curses. Any offense or insult will result in a terrible fate. And what fate bestows upon you when the goddess herself watches you. Desiring you from the very moment she caught sight of you. 

She is a master of disguise. Every word she spoke enticed you further and further into her grasp. There were the fleeting touches the goddess made to your skin to pique your desire. Her lips were painted with a smile that lowered your guard. You find yourself becoming a puppet as Rhaenyra hovers over you, pulling the strings to speak the words she wants you to hear, to touch her how she wants to be touched, and look at her how she wants to be gazed upon. 

Rhaenyra never wants you to leave her realm. The goddess is ready to gift you whatever your heart desires, but the earth is no longer a place you can call home. Rhaenyra will never lay a hand on you; gentle and soft with you. The only times you no longer see your lover but the goddess of war is if you are foolish enough to believe you can get away from her. She won’t understand. Has she not dedicated herself to you. Has she not given you every ounce of her heart. Whatever the reason is, your place remains by her side and she will make sure you know of this.

Rhaenys as Hecate + Goddess of Magic and the Moon

Rhaenys, the goddess of sorcery and the moon, who her domain also extends to creatures of the night; particularly hounds and ghosts. She’s often seen accompanied by her black hounds, donning a long robe, holding burning torches. Neither was she evil, nor was she wholly benevolent, but she did reveal her nature through actions, rewarding loyalty among her followers. Captivated by your presence in her temple, the goddess of sorcery was drawn to your compassion and innocence. She found herself spending more time just observing you, enchanted by how your features glowed in the gentle embrace of moonlight. 

Rhaenys has always been confident and assertive, when she’s certain that she desires you, she’ll do whatever it takes to have you by her side. However, she’ll stray away from using force. If she’ll seek your companionship, Rhaenys resolutes in waiting it be your choice, to love her the same rather than do it with instilling fear in you. Her introduction was gradual, allowing you to adapt in time to her presence. Much of this is involved in simple conversations, where she enjoys getting to know the little details of your life (even if she already knew most of it). 

Instead of overwhelming you with extravagant gifts, she opted for small trinkets. And adding to the ease of your connection, Rhaenys’s mystical hounds display a fondness for you, allowing you to pet them. Even when you remain in her domain, Rhaenys remains steadfast in not forcing you to love her. She has all the patience as the goddess begins to slowly express her affection more openly with gentle caresses to your face as she presents you with more lavish gifts. Her patience was rewarded seeing how eager you are to spend every moment with her.

Corlys as Poseidon + God of the Sea and Waters

Not only was Corlys the god of the seas but also associated with earthquakes and horses. He stood out as a highly ambitious deity and known for his unwavering loyalty to Mount Olympus. Unlike some deities, Corlys is willing to engage with mortals, after all, they have a dependence on the seas for trade and travel. However, it’s also known that when dealing with the god of the sea, do not try to trick or cross him, for he has demonstrated a vengeful nature when felt insulted. 

It was during your many ventures near the beach, having a profound love and fascination for the sea that you encountered the god of the sea. In your frequent visits, the shores yielded treasures ranging from the most beautiful seashells to even a literal pearl, a gift from the god. Upon making his presence known, Corlys takes matters into his own hands. Taking you to the temple beneath the sea as he cannot rely on chance encounters by the shore and it’ll save him all the trouble of finding you if you choose to never visit again. 

Your place from now on remains with Corly’s temple. He has made promises to make you visit the shore from time to time once he’s confident you won’t attempt an escape. Eager to please, Corlys has an allure of lost treasures within his home, offering you any if you desire. He also takes great care to ensure your comfort, harboring no intention of causing harm or raising his voice. His desire is clear- to have you willingly at his side. 

Laena as Aphrodite + Goddess of Love and Beauty

Laena was more than just being thegoddess of beauty and love; she was one of fertility, pleasure, and eternal youth. Occasionally she presided over marriage. Legends went so far as to attribute her beauty to being the cause of the Trojan War. Despite her being desired and adored by everyone, even capturing the affections of the infamous god of war himself, Laena's heart chose you; a mortal who didn’t seem all that extraordinary. But none of that mattered to the goddess of love, who found herself drawn to you, desiring nothing more than for you to share her boundless love and adoration. 

When Laena first approached you, she displayed no hesitation in expressing her clear intentions of wanting to court you. Doves and sparrows seemed to fly around you. In the vicinity of your home, myrtles and roses bloomed abundantly and Laena took it upon herself to personally hand you the blossoms, alongside the most marvelous seashells. Whenever you expressed gratitude or attempted to deny her gifts out of politeness, Laena would firmly assure you that you deserved nothing but the best. As she would engage in conversations, Laena would hold your gaze, running her fingers on your cheek or shoulder with such tenderness. 

Even after you became hers, Laena never stops showering you with praise and luscious gifts. The dresses she adorned you with were among the most lavish you had ever seen, and men would certainly go to war for the jewelry that adorned your skin. And for her home, which she claims is now your home too, she’s willing more than anything to accommodate any of your demands to make it all the more welcoming. Whether it’s placing all your favorite books or presenting you all your favorite foods. After all, you’re destined to spend the rest of your life with her.  

Otto as Zeus + God of the Sky and Thunder 

Otto stood as the god among gods, the force behind the establishment of order and justice in Olympus. It was his duty as king, to reign and ensure harmony throughout the divine realm. He had a number of children; it counted those that were outside of his marriage. Mortals and gods alike collectively averted their gaze, as the god of thunder desired to maintain an image of a prudent and a pious. And while like any god, he considered himself above mortal beings, he would observe them with keen interest. 

Unfortunate for you, if you happened to catch his eye, resisting him was a futile endeavor. It began with him orchestrating ways to make your life more comfortable — discovering the lushest trees near your home, bearing the most delectable fruits you'd ever savor. An eagle, acting as his messenger, would shower you with all sorts of gifts, from fragrant olive oils to delicate silver coins and ivory trinkets. The weather seemed to dance to his whims, birds serenading under the radiant sun.

It was also his way to signal his presence, a silent acknowledgment a being beyond the mortal realms was watching. And when his presence becomes known, he vows to treasure you for eternity (hinting at what’ll become of your mortal life). It’s difficult to deny him with all the myriad blessings he bestowed upon you. Once you’re brought to his home, he will present you with a luxurious silk robe and servants who dutifully follow your every command. Even if you resist, his determination remains unswayed. As a god, time was his ally and he believed in due course, you would succumb to his temptations.

Alicent as Hera + Goddess of Marriage and Childhood

Alicent stood as the embodiment of matrimony and domestic life, a revered figure to whom women turned in prayer for the blessings of harmonious marriages, the safe return of their husbands, and in hopes of birthing a healthy child. Despite her attempts to project a demure demeanor, the goddess had a silent reputation for her jealousy and occasional vengefulness. Alicent had divine authority, navigating the intricate game of politics and perhaps that was why no one dared to question her decision to bring a mortal being along.  

It was all under the reason of needing a servant though you were not yet married, still, no one dared to voice it. As her supposed servant, you were strangely exempt from menial tasks such as washing clothes or scrubbing the floor; such duties were deemed beneath you. Instead, the majority of your days were spent in the company of the goddess. You found yourself dressing and brushing Alicent’s hair as she shared her grievances about the perceived foolishness surrounding her court. 

Your time was further consumed by tending to Hera’s children and grandchildren, and her strictures extended to where you were not permitted to eat meals with other servants. In truth, the goddess had little need for another servant. But you a mortal, had sought her prayer, coming to her temple wishing for a happy life for the arrangement your parents orchestrated for you. But Alicent had been watching you long before and you have become the object of her desire. She promised to find you a suitor but the intensity of her gaze and the uncanny resemblance between the necklace of hers and the one she gifted you hints at something beyond that. 

Aegon II as Dionysus + God of Wine and Pleasure 

Aegon is known for seemingly lazy nature and rarely being seen sober, he’s notorious for the wild parties and dramatic theaters he orchestrates. The many lovers he has are ones that no one bothers to learn their names, as they typically don’t linger beyond a day. The few bastards he fathered are not accounted for. When the god of wines comes upon you, there was an unmistakable eagerness to have you in his bed. While you and others are at no fault to assume that it was driven solely by lust, you soon find it unraveled beyond that. 

As a mortal, the prospect of rejecting a god was not a reasonable one. His presence was suffocating with a possessive jealousy over your interactions with others and an incessant need for you to be near him. At times, he would pull you into his lap, craving for your affection and praise. Besides his constant need to have you share his bed at every turn, his lingering hands, and wanting your every attention, it’s not as terrible as one initially assumes. 

The god of wine provided you with the sweetest food, accompanied of course by his signature wine. He adorned you in exquisite clothing, though in the privacy of his chambers, they were far more revealing and sheer. While it was somewhat accepted to have fleeting lovers for a day, appearing with you by his side on every occasion garnered disapproval from the other gods. However, Aegon was indifferent; no stranger to being considered a disappointment. You were the one thing he was sure of, even harboring a secret desire to make you immortal, hoping you don’t notice how different your wine tastes.

Helaena as Persephone + Goddess of Seasons and Vegetation

Helaena possessed a kind of gentleness that was unusual among the gods. She carried herself with such grace and consideration. Helaena grew up to be a lovely woman who caught the interest of gods and humans alike. With mortals, the goddess did not look down on them. If anything, Helaena seemed to see the goodness and beauty in them despite all of their flaws. It therefore comes as no great surprise when the goddess seems so enchanted by you-a simple mortal. 

Helaena spent many days watching you. She possessed unending patience. What a fascinating sight you are. Deemed by the goddess to be the most beautiful being to ever walk this earth. Helaena cared nothing more than your happiness hence why you come home to a plethora of gifts and trinkets. It could be the most delicious fruit you've ever eaten or a dress the goddess sewed herself. And wherever you are, you found plants growing all around that never seem to wither-fruits and vegetables you never imagined would ever grow there.

Helaena was content as long as she could see you every day. Even if she couldn't speak or stand before you. All that mattered to her was to see your lovely smile as you open her gifts or to hear your joyful laughter. But shall you wish to meet her. Shall you seem unsatisfied with your life. Helaena will make her presence known. The goddess is nothing but a tender lover. Giving you all the time you need to adjust to her realm. Happy to watch from a distance and just speak with you.

Aemond as Apollo - God of Sun and Art

Aemond was also a god of music, truth, and healing, he was considered wise even at such a relatively young age. He enjoyed writing poems and believed in law and order. Unlike his brother, Aemond was recognized for his numerous contributions, particularly in the realms of medicine and prophecy. Aemond shows intense loyalty to his family and a great love for his mother but also is known for his jealousy and a wrathful nature; particularly when he perceives insults directed at his family or either himself. 

Many of your actions could’ve caught his eye, your visits to his temple, your singing voice echoing through the fields, how you immersed yourself far away from everyone else with the books you read. He doesn’t wish to frighten you,  guided by a gentle approach to engage you in conversations. You can feel his gaze follow you, a silent presence that seems to accompany your every move. In due time, Aemond would express his desire for you to be his lover, to not only give him your body, but your mind and soul. Even if you do not share his feelings, denying him is not advisable, Aemond is not one for rejections. 

Even if you were to deny him, Aemond would still bring you to Mount Olympus, introducing you to the other gods, making sure you understood that your place belonged with him. And while he attempts to give you some space, the god of the sun cannot bring himself to stay away. Aemond sought to spend every moment of the day with you, from sharing the same bed, to waking together to sharing meals. He yearns to hear your every thought from the flowers you liked to your opinion on the poetry he’s dedicated to you.

Criston as Heracles + Demi- God of Strength and Heroes

Criston was born a mortal. Yet even as a child, Criston showed such strength and courage unmatched by any other. He has proven to be a fierce warrior over the years. While he was hailed as a hero, many of his rage-fueled actions beg to differ. It took Criston to die to be reborn as the Demi-god. Taken from the flames to Mount Olympus where he was granted eternal youth and the right to live among the gods. He was offered a goddess, but Criston had his eyes set somewhere else.

Criston believes he must protect you. That you need him far more than he needs you. You are just a mere mortal. One fall can be fatal. Doesn't matter that his involvement could be the very reason your life is at forfeit. Makes no difference the many times you struggle and try to escape him. Criston holds you in his arms, repeating the same mantra over and over. That you have a need for him. That he must shield you from all those who will harm you. He rarely leaves your side, and no amount of begging or insults will convince him to do so.

As your lover, you have a man capable of crushing a village to ruins, capable of winning against an army. You bring out the worst in him, the madness. A madness seen in the mere thought of you being in another’s arms. Criston won't accept the possibility of your death. He was blessed with the gift of immortality and will stop at nothing to grant you the same blessing. A wonderful thought to him, but a nightmare to you. Given the chaos that will be left behind, the gods may grant him his wish.

[jnkgrnde]

— is it a crime?, clarisse la rue, pjo

summary — in which, clarisse still wants you even after you break up. based off of is it a crime by sade.

pairings — clarisse la rue x black!fem!reader (daughter of athena)

authors note — i was listening to this song while i was cleaning n thought it would make a good fic

both you and clarisse were miserable, you were just handling it in different ways.

clarisse had mood swings where one day she wanted to destroy everyone and everything in her path, and the next she isolated herself from everyone.

you sought out the support of your cabin mates, wearing your heart on your sleeve for them to help heal. you consulted with annabeth if you were in the wrong. “maybe i reacted too harsh?” you asked her.

“you acted within reason. we all know how intense she can be, but maybe you should give her one more chance. she’s been miserable without you.” you looked up at her. “should i?” annabeth nodded. “if you can find a way to help her tone it down, you know you and her are good together. it shouldn’t be hard; she visibly relaxes whenever she’s around you.” she laughed.

there was a knock on the cabin door. annabeth stood up before you could, and there was the woman of the hour. “is she there, annabeth?” annabeth crossed her arms, glaring at clarisse a bit. “she is.” “can i come in?” before she moved out of the way, annabeth gave a warning to clarisse. “you may, but if she comes out of here crying-“ “i know, chase. i won’t.” clarisse promised.

you were standing when she walked in and annabeth left. she walked in with a moderate size gash on her forehead and flowers in her hands. “hi.” she greeted nervously.

when was clarisse ever nervous?

“gods, what happened to you?” you instinctively went up to her and cupped her face, inspecting her injury. her cheeks started getting warm at the touch of your hands. “would you believe me if i said i got smacked by a tree branch?” she chuckled. you rolled your eyes with a small smile. “sit down, idiot. i’ll get the med kit.” just hearing your teasing voice brought a smile to her face.

she watched you go the bathroom as she rehearses her apology in her head. her hands were sweaty and she was bouncing her leg up and down. you came out with a red medkit and brought it to your bed, where she was sitting. she watched you take out the essentials and started the process.

for once, she was the one who had trouble keeping eye contact. “‘m sorry.” she mumbled. “what was that?” your voice soft. “i’m sorry. i, um, i- i got you flowers.” she lifted them up gently. you giggled. “thank you, sweet girl.” you took them from her hand and placed them on your nightstand, putting a mental note in your head to get a vase for them later.

she didn’t know what to say.

everything she went over for the past few days evaporated out of her headspace. what she did know, though, was that her hands were itching to hold you some type of way.

“is there a reason why you came all this way, la rue?” she looked at you when you spoke to her. she took a deep breath to calm her racing heart. “i wanted to apologize.” she finally explained. you hummed, letting her know to keep going.

“i should’ve trusted you- i do trust you. you had every reason to lash out at me, and you have good reason to not want to be with me. i just wanted to clear the air and want to end on a go-“ she was cut off when you pressed your lips to hers. her hands fell to your waist automatically, the itch being satisfied.

it was slow, up until she started fighting for more and you got off her. “one chance,” you told her. “you get one more chance. i won’t come easy.” she grinned wide. you still wanted her, and she wanted you too; she needed you. so she was determined to win you back.

“yes ma’am.”

[onlymimiwastaken]

Warrior Penelope stuff cause I've been listening to too many EPIC genderbent covers, and I wanted to give my take on it (also cuz I kinda want to draw it one day)

- Ares as Penelope's patron, absolutely! But Ares didn't have a huge cult in Sparta, although he wasn't hated. So my lore take version thing is that ATHENA wanted to be Penelope's patron (she had already an eye on Ody kinda) but Ares saw his chance, got to it first and became attached to Penelope without wanting to admit it, also because she saw the good and useful in him. Athena still watches over Penelope (especially after her and Ares platonically break up, which she finds really stupid) and is the one who does her best to protect Ithaca while she's gone. She's by Ody's side while he misses his wife and is mostly the reason why the Suitors hadn't taken over yet.

- To get Ares to realize his mistake, Athena tricks him into helping Telemachus defeat Antinous in Little Wolf because free bloodshed, only to end up sensitized by Telemachus because holy shit, my friend's son is here almost dying to this ASSHOLE who thinks he's so much stronger than MY friend the queen and even me like who tf does he think he is. Athena makes Ares fucking rational for once. And maybe even Aphrodite, as well, gets some damn sense in his mind like "they love each other like you and I and my girl is doing her best to get home you're going to apologize rn"

- ctimene holds a claymore double her height with no problems

- penelope is more "cold ruthless" than Odysseus, in a way that she's still poised (until the end or when she's really brought to her knees which is disturbing) while doing merciless stuff. She's emotionless a lot more (just on the surface)

- Ares was the one to give Penelope the idea of going to war instead of Odysseus, for obvious reasons. And Pen is really a mastermind among the Greeks ofc

- Ares and Pen fought in their My Goodbye version because she "held back her power while her friends got devoured" "she didn't even fight Polyphemus, didn't even TRY to kill him" "hid behind her wits to get things done". Because when fighting Polyphemus, she knew that if she tried to kill Polyphemus while he was asleep, they'd be stuck in that cave forever (like in the real Odyssey). And knew that fighting while her friends got killed would slow them down and probably get more people dead. And when they ran away, she didn't go back to kill the Cyclops even if she could've because of yes, mercy, but also because she would've awakened all the other Cyclops and sailing away was faster, better. Ares deemed this cowardice. Crazy thing, since one of the most important things to him is courage.

- Ares overstimates Penelope's power. Like, yes, she's exceptional, but still HUMAN. With her limits. He hasn't dealt with a human personally in years so he doesn't understand this, so his expectations are ridiculously high, which ends up breaking Penelope.

- During 600 strike, Penelope can actually breathe underwater and not hold her breath for such a long time and be fine because she's half naiad (yes, they are fresh water nymphs but still). Also this may make her even stronger around water (to a certain degree, she's still very mortal)

- calypso is pansexual

this is already a lot, ill add more when i think about it lol (also if i realize any of these ideas don't make sense)

[iheartambss]

You are the best thing that's ever been mine

Clarisse La Rue x Fem!PoseidonCabin!Reader

summary: You and Clarisse have been anonymous pen pals and when identities are revealed it all goes south

warnings: swearing, slight angst, fluff, Clarisse is kinda a bitch at first, not proof read

a/n: I hope this is what you wanted! I added a little twist to it, I hope that's ok. I may have self projected just a bit, the request didn't say a specific cabin so l put mine. Yes I'm a cabin 3 girlie. I had to write in the catradora line, it would’ve bothered me if I didn't take the opportunity. Best wing girl award goes to… Amaris! Amaris is in cabin 6 aka Athena btw. I actually had a lot of fun writing Amaris and Y/n's friendship hehe. Also if you’d like to listen to the song while reading there’s a link below :)

Mine by Taylor Swift

You and Clarisse have been anonymous pen pals for a couple months now. You accidentally left a note you had written where you talked about your favorite book which coincidentally was Clarisse's too and ever since you both have been leaving notes for each on the very same spot every day, every few days or even every week. You don't like Clarisse because she bullies other campers and Clarisse doesn't like you because you're one of the only people who have actually stood up to her, at least, that’s what she tells herself.

You watch as Clarisse shoved Percy then proceeded to push him on the floor with a frown. You walk up to Clarisse after you watched the girl walk away from Percy, "Leave the new kid alone princess. Quit being a bitch," You hiss as you cross your arms. Clarisse's brows furrow, "Did you just call me a bitch?" She takes a threatening step towards you, "Why don't you come closer and say that again?" Her tone is challenging.

You stepped closer to the girl and looked up at Clarisse, "Quit being a bitch princess.” You said the word ‘princess’ in the same mocking tone you always did. Clarisse's eyes flash with anger and she lunges forward, grabbing your shirt and pulling you close so your faces are inches apart. You gave her a smug smile before your smile shifted into a smirk and ignored the hammering of your heart, "What? You gonna kiss me or something princess?" You teased.

A scowl settles on Clarisse's features when she feels her cheeks flush and she roughly shoves you away from her, "You're so fucking infuriating" She spits. You give her another smug smile as you shrug, "I try" then you turn around and leave. Clarisse watches you go with a mix of frustration and satisfaction. She turns around, muttering under her breath about you before heading back to her cabin.

-

The next day, you walked around the library and went to grab the note in your favorite book but before you could, Clarisse snatched the book from you. Her eyes are wide and she looks nervous like she’s hiding something. "What are you doing?" Clarisse demands, holding the book against her chest protectively. "Why does it matter Clarisse?" You said, rolling your eyes before reaching out towards the book, "Give me the book."

"No." Clarisse crosses her arms over the book, "You’re just trying to sneak a peek at my notes." She hisses, taking a step closer to you as her eyes narrowed. You looked at the Ares girl with wide eyes like you had just seen a ghost, "Your notes?..." You asked softly. Clarisse finally lets out a small sigh, her eyes still narrowed as she watches you, "Yeah, my notes." She nods, "Why are you so interested in them anyways?" Her brow furrows in confusion.

"Clarisse... I'm the one who’s been writing you," You replied softly, thinking about everything you’ve talked about and how sweet the Ares girl was in contrast to her normal demeanor. Clarisse's eyes widened in surprise, and she took a step back, "What?" She stammers, looking at you like you've grown another head. She glances down at the book in her arms, then back up to you, "You've... been writing me?"

You nod, "I mean if you've been writing notes and leaving them in that book then yes," You point to the book in Clarisse's arms. Clarisse looks at the book then back up to you, her cheeks flushing slightly. “Oh," She mutters, running her fingers through her hair, seemingly at a loss for words. She looks conflicted about the whole thing before she decides to do what she does best in these type of situations, run. After a moment, Clarisse clears her throat, "I have to go," then she shoves the book in your hands before quickly taking her leave.

-

You tried to find Clarisse to talk to her but you couldn't find the girl anywhere. You’d catch a glimpse of her at times but the minute you’d try to walk over to her, she's gone. After a while of the same dance, you’ve realized she’s been avoiding you and it was driving you crazy. All you can think about is how sweet the girl was to you when you both didn't know who the other was. You always found the Ares girl attractive and had a little crush on her but that little crush grew into something bigger once you realized that she was the one you were writing the whole time.

You’re currently with your best friend, Amaris, laying in her bed as you talk. "Am, I can't stop thinking about her," You sighed. Amaris looks at you, a small smile playing on her lips. "You mean the girl who's been avoiding you for two weeks?" She teases gently. "Well, maybe it's time to confront her then." You look at Amaris with wide eyes, "That's like the worst advice you could give me when it comes to Clarisse," You mumble, "Who knows how she'll react.” Amaris shrugs, propping her chin on her hand. "So you can keep stewing in uncertainty, or you can take the plunge and see what happens. Either way, you're not going to stop thinking about her until you try."

You look at Amaris, still uncertain. "What would I even say to her?" Amaris grins mischievously, "How about ‘I know you’ve been avoiding me for a while, but I can't stop thinking about you.' Something like that should get her attention." You laugh softly, "Yeah that could get her attention I guess. Maybe a fist to the face too if she's generous enough." “Well, you know what they say, 'Nothing ventured, nothing gained'." Amaris winks, clearly enjoying teasing you. "And hey, maybe she'll surprise you. You never know with her." You nod, "I'll try to talk to her tonight at the bonfire."

"Good luck. You're gonna need it," Amaris says playfully. "Don't forget to let me know how it goes." You blew a kiss to Amaris, "Thanks. I will Am," then you hug her before leaving the Athena cabin. With a smile, Amaris watches as you leave. She takes a deep breath and exhales slowly, knowing that things might get interesting tonight.

-

That night, you muster up all the courage you can and head to the bonfire. The air is filled with laughter and music as campers gather around, enjoying each others company. As you approach the bonfire, you see Amaris chatting with a group of other campers. She notices you and gives you a small wave before turning back to her friends. Taking a deep breath, you make your way over to her. You put your hand on Amaris' shoulder and smile, "Hey Am." Amaris turns to look at you, her face softening into a warm smile. "Hey Y/n," she replies, gesturing for you to join the group.

You smile as you greet Amaris' friends before looking back at her, "Girl, who are you trying to impress today?" You tease, "You look hot." Amaris rolls her eyes, but can't help but smile as she replies, "I always look good babes and you look pretty damn hot yourself." She nudges you gently, a mischievous glint in her eye. You grin, gently nudging the girl back, "Flattery will get you no where Am." Amaris raises an eyebrow at you, clearly enjoying the playful banter between the two of you. "Well then," she says with a grin, "Maybe I should start thinking about upping the ante."

You look at Amaris, giving her a playful apologetic look. "Sorry babes, my heart belongs to another." Amaris laughs lightly, the sound filling the air. "Ah yes, I remember hearing about that certain someone." She teases. "Have you seen her?" You shake your head, "Not yet. Have you?" Amaris shrugs her shoulders, "I saw her head to the bathroom with some of the Ares kids. I think she went to give the new kid their welcome gift." You frown at that, “You think she’d learn her lesson after Percy.” "You gonna go find your knight in shining armor?" Amaris says with a mischievous grin.

You sigh softly, "Yeah, I might go look for her in a bit." Amaris smiles warmly, her eyes sparkling with amusement. "Well remember, when you do, don’t forget to let me know. l'd love to hear all about it." She takes a sip of her drink and adds casually, "Good luck." You nod, "I know, I know. Thanks Am." Amaris waves her hand dismissively, a small smile playing on her lips. "Always," She says before gently nudging you and gesturing at something, "The princess has arrived." You turn to look at what Amaris gestured to and see Clarisse. Your heart skips a beat as you take in how beautiful the girl looks.

Clarisse wore a red crop top and black cargo pants. You couldn’t help but think the girl looked absolutely breathtaking, she always did. Amaris looks at you with a smug grin, "Careful lovergirl, you might start drooling," She teases. You turn to look at Amaris, blushing softly as you roll your eyes, "Shut up." Amaris bursts out laughing, shaking her head at you playfully. "All right, all right," She chuckles, taking another sip of her drink. "Go talk to your princess then." You look at Amaris, uncertain, "I'm beginning to think this is a bad idea Am. What if she makes fun of me?"

Amaris rolls her eyes, "And how is that different from any other day? Just go talk to her." You nod and take a deep breath, walking over to Clarisse before you can change your mind again, "Hey princess." Despite all the other times you've called her princess, this one came out soft, not mocking like it usually does. Clarisse sighs before looking up at you with a raised eyebrow, "What do you want?" She asks bluntly. "You," You reply casually before blushing when you realize what you said. "I mean you cause I want to talk to you," You stutter out.

Clarisse can't help but smirk at your blush and stuttering. "Well, aren't you sweet?" She says sarcastically. "I don't want to talk to you." You frown, slightly hurt by her words, "Just answer one question and I'll leave you alone. Please." Clarisse narrows her eyes at you, "What's the question?" She asks warily. "Why have you been avoiding me?" You ask softly. Clarisse sighs again, clearly not expecting that question. She shrugs lightly, trying to play it off casually. "I wasn't avoiding you. Just, you know... busy training."

"Bullshit," You reply. "Every time I see you and try to talk to you, you disappear." Clarisse rolls her eyes. "Look, I don't want to talk about it. So just leave me alone." She says firmly, turning away from you. You frown, "Clarisse just tell me the truth.” "The truth? Fine," Clarisse snaps, turning back to face you with fire in her eyes. "I was avoiding you because I'm not interested in some pathetic little crush you have on me," She shouts, the words coming out harsher than she intended. You felt your heart shatter and tears well up in your eyes.

Clarisse's eyes widen and she internally winces at the sight of you trying to hold back tears. For a moment, she feels a pang of guilt, but quickly pushes it aside. You look around, feeling eyes on you before looking back at Clarisse. "Ok… got it. I’ll leave you alone" and with that you walk away from the Ares girl. You kept walking even as you heard Amaris call out for you and left the bonfire. Clarisse's eyes narrow at Amaris, she felt a pang of jealousy course through her which changed to satisfaction as she watched you ignore her and continue walking. Amaris turns to Clarisse and walks over to her, "What the fuck did you say to her?" She said, glaring at the Ares girl.

Clarisse shrugs nonchalantly. "I told her to leave me alone," she explains. "I'm clearly not interested in being friends with her." She takes a sip of her drink, unfazed by Amaris' glare. Amaris rolls her eyes, "Me and you both know that's total bullshit La Rue," she spat before adding, "I've seen the way you look at her, even before you realized she was the one writing you." Clarisse's expression becomes cold and defensive. "What are you talking about?" she asks sharply. "I don't look at her like anything." She steps closer to Amaris, their eyes locked in a fierce stare down.

Amaris looks up at Clarisse, seething at her. "Cut the shit Clarisse. I know you like her, it's so obvious. You stare at her as if you were in love with her." A small spark of irritation flashes in Clarisse's eyes. She's not used to people seeing through her. "Fine," she says through gritted teeth. "If you must know, yes, I do have feelings for her." "You two are fucking stupid. You don't want to admit you like her, she can't and won't believe you like her no matter how many times I tell her," Amaris adds. "Stop being a fucking jackass and go find her. Y/n is one of the sweetest girls I know and she’s madly in love with you. You'd be fucking dumb as fuck to pass up the opportunity to be with a girl as amazing as her."

Clarisse is taken aback by Amaris' words. She can't deny that she feels something for you but she's not used to expressing her emotions in such a vulnerable way. "You're right," she says, taking a deep breath. Amaris grins, "Of course I'm right, I'm always right. Now get the fuck out of here. Y/n's probably by the river near cabin 3." Nodding, Clarisse heads out towards the river, her heart pounding in anticipation. She's nervous but determined to express her feelings to you. After a brief walk, Clarisse spots you sitting by the river, you head bowed as you dangle your feet in the water. Clarisse approaches cautiously, clearing her throat to get your attention.

You turn around to face Clarisse with a tear stained face, your eyes widening when you realize it's the Ares girl. Clarisse's heart sinks at the sight of you. She knows she's the reason for your pain, and it hurts her deeply. "Y/n," Clarisse says softly, taking a seat next to you on the riverbank. "I just wanted to apologize for earlier." She swallows hard, feeling her cheeks redden a bit. "I... I might have been a bit harsh with you." You look at Clarisse, giving her an unimpressed look. "Oh you think?" You snap sarcastically. Clarisse internally winces at your harsh tone, but she understands your anger. "I guess I deserved that," she says, hanging her head in shame. "I'm sorry. I shouldn't have treated you like that."

You look away from her and towards the river, thinking for a moment before turning back to Clarisse. "Gonna have to come up with something better than that." Clarisse takes a deep breath, gathering her courage. "Y/n, I'm really sorry for how I acted earlier," she says, looking into your eyes earnestly. "I was wrong to treat you that way. You mean a lot to me and I hope you'll give me another chance to make it up to you." "You know it's funny cause Amaris would tell me you liked me back all the time but I never wanted to confess because I knew there was no way l'd ever have a chance with you. I guess I was right," You said as you wiped tears off your face.

Clarisse frowns, Amaris told her this but hearing it from you somehow made it worse. How could you believe you'd never have a chance with her? "But you do have a chance Y/n," she replied, adding, "Don't you get it? I love you. I've always have." You look at Clarisse with wide eyes, "Then why did you avoid me like I was the plague? Why didn't you say that back at the bonfire?" You ask softly, like you’re scared that you might scare the Ares girl away. Clarisse swallows hard as she avoided your gaze. "I-I didn't know how to react back then. All my life, I've hidden my vulnerability just so l wouldn't seem weak to my father...and I know that's obviously no excuse for my behavior but that’s why. I'm so so sorry Y/n. I never meant to hurt you.”

You look away from Clarisse again and think about something before speaking up. "Just promise me you'll try to be more vulnerable with me in the future Clar,” you say softly before turning back to the Ares girl. Clarisse's eyes widened in surprise at your request. She didn't know if she could make such a promise, but she knew she wanted to try for you. "I promise I'll try Y/n." You smile softly in response and stay silent, taking in how beautiful the Ares girl looked under the moonlight. Clarisse gazed back at you with an intensity that made your heart flutter. "You're so beautiful angel," She murmured softly. Your soft smile turned into a grin at the compliment and you could feel butterflies forming in your stomach.

"And you're gorgeous princess," You mumbled just as soft. Clarisse's cheeks flushed at your compliment. "Thank you," she whispered, feeling a warmth spread through her chest. She moved closer to you, unable to resist the urge to be more near you. Your eyes flickered between Clarisse's eyes and her lips. You resisted the urge to lean in, still scared of the possibility of scaring the Ares girl away. Clarisse sensed your hesitation, but she didn't want to push you away. She wanted to be close to you, to feel the warmth of your presence. "Can I kiss you angel?" She asked softly. You nod immediately, leaning in just a bit to meet Clarisse half way.

Clarisse's heart was racing as your lips met in a soft, tentative kiss. It was unlike any kiss she had ever experienced before; filled with tenderness and vulnerability that she had never allowed herself to show. She deepened the kiss, feeling warmth spreading through her body. You return the kiss with a soft smile, feeling like your heart is beating out of your chest. Clarisse's hands moved up to cup your face, her fingers tangling in your hair as she lost herself in the kiss. It was like a spark had ignited inside of her, and she couldn't get enough.

You pulled away from the kiss, breathing heavily, "Does this mean we're dating now?" You asked softly, trying to hide your hopeful tone of voice. Clarisse rolled her eyes at you but she couldn’t hide the smile on her face, "Yes," she replied simply. “We're dating dumbass." She leaned in to kiss you again, but paused, looking into your eyes. "I know it's probably too early for this but I already said it so fuck it... I love you Y/n." You look at Clarisse with adoration in your eyes and grin, "I love you too Clarisse," then you closed the distance and pulled her into another kiss.

[dilemmaontwolegs]

For the Love of God(dess) || CL16 {2}

Summary: Greek God/dess AU. You show Charles a part of your world and he shows you a part of his. Warnings: angst, fluff WC: 2.6k Part One || Two

The old stone path should have been worn for all the centuries that it had been used as the entrance to Olympus but it was still as perfect as it was the first time you walked it. Nothing ever changed, not since the war ended and a new hierarchy settled among the gods. For two thousand years nothing had changed in the Eternal City.

“Love, what have you done?” The imposing form of Ares filled the road to your temple, his arms the size of your waist. His molten red eyes barely glanced at the man at your side before snapping back with a double take. “Kàrolos?”

“Uh, so everyone keeps saying,” he answered quietly, his eyes sizing up the God of War as he spoke for the first time since arriving through the portal. “And you are?”

“Intrigued,” Ares said with a smirk. “Good luck.”

The god vanished and Charles rubbed at his head, murmuring, “Fucking weird dream.”

“You’ll wake up soon,” you sighed. It might not be the wake up he expected, but it was coming - you just had to find Athena. “I know someone who can help make sense of this, we just need to get you back to my place first. It’s right over h-” your words froze as turned towards your temple. 

Where grey stone walls had stood, great white pillars of marble rose. Where empty garden beds lay, hundreds of white roses bloomed. 

Your temple had been restored.

“This is your home?” Charles asked, a little awestruck by the sounds of it. It was quite amusing that he walked among the gods but he found beauty in a building of all things.

“Our home.”

“I have a home - in Monaco.”

You opened your mouth to argue but saw the quiet desperation in his features. He was clinging to his humanity and it forced you to remember that this wasn’t the Kàrolos you knew, this was a stranger. The only resemblance they held were their eyes, but they were the window to the soul and they still had the same soul. 

“Let’s just go inside.”

The doors beyond the marble arch swung open on your approach and the interior had changed just as much. The vast room was open to the sunlight and a fountain filled the centre, the sound of bubbling water a calming feature. Open arches led to more rooms but you made your way to the furthest one. 

Charles followed sedately into the bedroom and out onto the balcony that overlooked the city. Above rose the peak which Zeus had claimed, his golden palace glittering beneath Apollo’s sunshine. Below, the forests of Artemis spread far and wide with lush green canopies and the Orlias river winding through it. 

Your palms warmed on the stone railing as you watched a herd of deer pick their way to the river for a drink. “I know you have a million questions and I’m sorry for…everything.”

Charles’ shoulder leaned into yours as he drank in the scenery but he jumped back when an owl swooped in, the spotted wings brushing his cheek. A flash of light burst from the owl and bare feet touched down on the balcony. 

“Hmmm, you have had quite the night, Love,” she said with an appreciative look over Charles. She reached out to his face with a smile and wiggled her fingers. “May I?”

“Why? What are you going to do? Who are you?”

“So many questions,” she laughed. “I am Athena, I am knowledge, and if you want the answers then you will let me touch you.”

He looked to you for help and gods damned if it didn’t make something in your chest hurt before you nodded. He swallowed the fear of the unknown and trusted you as he stepped into her waiting hands. Lightning shattered his brain, blinding him with flashes of images that moved too fast to see. But he knew. Knowledge expanded and exploded in his mind at an exponential rate until he knew everything. Thousands of years of history burned into his retina in less than a second. The history of the gods and goddesses that called this place home. The history of the wars and the destruction it brought. The history of you and everything you lost.

He knew it all. And it hurt more than the pain that splintered his head.

He didn’t even realise he collapsed until he felt the softest mattress dip beneath his weight as you laid him down. Your concerned face appeared above him, the sun catching your hair and weaving a golden halo around the strands. A thought crossed his mind and he laughed, shaking his head.

“What?” you asked curiously as his fingers twitched like he had to fight the urge to reach out to you.

“When we met I thought you looked like a goddess, but of course you do. You are.” He looked to the balcony but the owl had already taken flight back to her palace on the hill. “I’m not him, you know.”

“I know.” The man you loved had died a long time ago. You had your time together, no matter how short, and you had mourned for him. It was time to move on. “I don’t want you to be Kàrolos. I want to learn who you are, Charles.”

“And what if you don’t like who I am?”

“I am the Goddess of Love,” you teased, climbing onto the bed to sit beside him. “My arrows don’t work unless there is compatibility between the souls. Psyche is probably better off explaining that but my power only amplifies what attraction is already there. Can’t say I have been on the receiving end of it before. This will take some getting used to.”

“What will?”

“The want, the need to touch you,” you confessed as you looked down at your hands that gripped the bedspread tightly. “It is difficult to be this close and not reach out.”

Charles frowned. “You loved Kàrolos but you didn’t use an arrow?”

“Not everyone needs an arrow to fall in love. Like I said, it only amplifies. People find love on their own everyday, only some need a little poke in the right direction. Those friends who have been dancing around each other for years, the abused who don’t think they are worthy of being loved, the colleagues who only flirt at work. The fates weave their tapestry with a trillion threads of life and when there is a snag, like two lovers who failed to meet, then I repair it so the loom can continue its creation.”

Charles blinked as he began to understand how complex the roles of the gods were. “Fuck.” 

You laughed and his lips tugged up at the sound. 

“I don’t mind, if you want to touch me,” he admitted quietly, reaching for your hand and unfurling it from the bedding. His hand was larger than yours but your fingers settled between his comfortably and your body sagged with relief. “So what do we do now?”

You shrugged, not exactly knowing the answer yourself. Time was plentiful so there was no rush, but you were eager to find out who it was your heart had been given to. “What do you enjoy?”

Charles’ smile dropped as he suddenly remembered the world he had left behind. “Shit, we need to go back. I have a race this week.”

–

“Breaking News: Peace had been brokered between nations all over the globe in a dramatic turn of events. For more information we will be heading to our correspondent at the United Nations HQ…”

Charles turned off the TV in the hotel but he didn’t miss the way your eyes remained fixed on the screen, or the way your lip wobbled. Crossing the room, he grabbed your hands and bent his knees so you were eye to eye. “What’s wrong?”

“It’s my fault,” you whispered through the lump in your throat. “I failed my duties.”

He looked back at the TV where you could still see the breaking news. Peace had come after two thousand years of skirmishes and wars on the mortal plane. There should have never been wars to begin with. 

“That isn’t your fault,” he argued, but he had the knowledge of the gods, he understood how your power worked. The gods were a fragile ecosystem that required balance. You were the balance to Ares’ power and his effect on the world.

“I was weakened when Kàrolos died, I lost half of myself, half of my strength. It left Ares unchecked - of course it is my fault.”

Charles wrapped his arms around you, tucking your head into the crook of his neck so you couldn’t stare at the TV. “You’re making things right now, that’s what matters.”

“It’s not even me,” you laughed bitterly. “It’s you. I couldn’t do this on my own.”

“Come on,” he said as he started to drag you towards the door.

“Where are we going?”

“You need a distraction, and I know just the thing.” 

Charles drove to the circuit he would be practising on in the morning and it was relatively quiet as he led you through the paddock. A few teenagers excitedly asked for photos with him and you smiled as he stopped to talk with each one. He was so different to Kàrolos. Kàrolos was a warrior, proud and unmoving. Most children gave him a wide berth when they saw the scars that littered his body. It wasn’t in him to idly chatter or placate others, the only soft spot he had was for you. 

“You’re very patient,” you commented as he waved goodbye and continued to the edge of the track. 

He smiled shyly and looked at his shoes as he shrugged. “I try my best to talk to fans, especially when I have the time. Take a few laps with me?”

You followed his gaze to a Ferrari that was parked in the pit lane. “I’ve never been in a car.”

“No, really?” His eyes were wide with disbelief and you laughed at the innocence in those eyes. 

“I go where I want, I’ve never needed to drive.”

He grabbed your hand and excitement flowed through you as he set a quick pace to the car. “Trust me?” he asked as he opened the passenger door.

You were immortal so it didn’t matter if he crashed. Sure, it would hurt but you would eventually heal. But the question felt heavier than just asking if you trusted him not to crash, more that you could trust him to keep you safe. “Yes, I trust you, Charles.”

You slipped into the seat that was moulded to cradle you before he bent down and buckled the clips in for you. His cologne reached your nose at the close proximity and you inhaled deeper as you committed the rich scent to your memory. 

“Is this comfortable?” he asked as he tugged the harness.

“It is…managable.” Restrictive, confined, and claustrophobic came to mind but you didn’t want to worry him as he went around to his side. There was energy in his step that had been missing in Olympus, an ambience that brightened the moment he arrived at the racing track, and you wanted to keep that light in his aura. 

“We’ll take the first one slow,” he promised as he started the engine and gripped the wheel. 

You had flown into battle on the back of a pegasus, you had held onto the fins of charybdis as they raced through Posiden’s domain. Nothing came close to the thrill and the speed of Charles’ car. 

Your heart jumped up your throat as you were thrown back into the seat and then the world around you blurred. Everything faded away except for the window ahead and you didn’t dare blink in case you missed a moment. There were no thoughts on the what ifs of the future, or the regrets of your past. There was only the car, and Charles grinning at you.

“Are you sure this is slow?” you asked with a giddy laugh as the adrenaline reached your head and the initial surprise was erased.

“Hold on, cherie.” The engine roared louder and like a beast it leapt forward. A scream of exhilaration filled the car as Charles lassoed the metal beast and wrangled it through each corner until he finally slowed to return to the pit lane. 

“I finally understand the obsession,” you admitted as he parked back where he had left. Your fingers were almost stiff where they had gripped the harness over your chest and you flexed the feeling back into them before unbuckling it. “I can’t even describe it, but I feel alive - if that makes sense? I can’t think quite clearly now.”

“I understand.” Charles smiled softly and wiped away the stray tear that ran down your cheek from having your eyes wide open for so long. “It’s getting late.”

You climbed out of the car and looked up to see stars dotting the desert night sky. It felt like time stopped while you were in the car but nothing could stop time and it all came rushing back. “Can we do this again?” you asked, a little sheepish at how needy you sounded.

“Of course,” Charles promised, taking your hand as naturally as breathing. “After this race it’s winter break and I am all yours.” He stumbled and caught himself. “I mean, if you want to hang out and, uh, stuff. I don’t have any plans, but if you do we can figure something ou-”

You rose onto your toes and kissed his cheek that was turning pink in the moonlight and he fell silent. “I don’t have any plans either.”

Charles stared at your lips, still feeling the warmth on his cheek and he touched the skin as a smile tugged at his lips and he nodded to himself. “Okay. Okay.” 

“You’re cute,” you said as you felt the urge to kiss his lips next.

His nose wrinkled at the compliment. “Cute?”

“Amongst other things,” you added, biting your lip to keep your other thoughts to yourself. 

He grew confident and curled his finger under your chin, his thumb brushing over your bottom lip and pulling it free from your teeth. “You’re beautiful.”

Your lungs refused to work as his head dipped down slowly, giving you time to change your mind. You could still feel the remnants of that thrill in your veins and the charge was electric as you gave into your desire and threw your arms around his neck. The kiss started slowly, hesitation holding you both back as you tasted the chemistry, but it grew deeper as his arms curled around your waist, pulling your bodies flush. 

The track faded away as you spared one last critical thought to teleport back to the hotel room. Charles blinked as he looked around the bedroom, but the surprise turned to a smirk. “That is handy.”

“You can do it too,” you said as your fingers traced the hem of his shirt. “You can just have to picture the image in your mind.”

Cold kissed your skin and you looked down to see your own shirt had disappeared. 

“Holy shit, it worked,” he gasped. “Oh, shit, sorry.”

Your shirt returned in an instant but it was now the same shade of red as his team colours. 

“I wasn’t complaining,” you smirked but the humour dimmed as his hands came to rest on your waist that was still wrapped in red cotton. “We can take it slow, Charles.”

“Is that what you want?”

“I want you, not your regrets. I want you to be ready.” Ready for an eternity together.

Charles sat at the edge of the bed and pulled you onto his lap. “The first thing you should know about me is I have never been good at going slow,” he admitted as he cupped your cheek and crushed his lips to yours.

[tevanbegins]

The only people thinking that Bucktommy's storyline is ruining the show are the B*ddie fanatics and the homophobic fans who are disappointed that Buck came out as queer. However, the rest of the viewers don't think that way at all. Even if you put aside the BT fandom, the general audiences still enjoy the show. The improved viewership ratings reflect that.

BoBs don't want Buck to end up with the first ever man he has dated (this only bc said man isn't Eddie); they believe he needs to 'explore' his bisexuality more. The GA, on the other hand, is happy to see that Buck is finally settling into a stable, healthy relationship with a caring partner who respects him and reciprocates his feelings equally. Apart from many queer fans who are celebrating this crucial LGBTQ+ representation, most of the GA probably doesn't even care that Buck is with a man and the queerness of it all. They just like seeing a beloved character finally finding true love, after seasons of stumbling through a series of failed relationships.

Buck and Tommy's love story not only sustained the existing viewership, but boosted it further by drawing in plenty more new viewers to the show. This is apparent through the impressive ratings, and the fact that the show's renewal for season 8 was confirmed not long after 'Buck, Bothered and Bewildered' aired.

Another thing that BoBs don't realise is that the GA also comprises casual watchers and people who might not care about Buck or Eddie at all. The show has an Oscar & Emmy-winning actress among its main cast - Angela Bassett. It also has another beloved veteran actor like Peter Krause. There are people who are watching this show for them. There are people who may be far more invested in Bobby-Athena, Maddie-Chimney, or the Hen-Karen storylines than whatever the hell's going on with Buck or Eddie. Or there may be audiences who appreciate the platonic friendship between Buck-Eddie the same way they like Hen-Chimney or Hen-Athena with zero expectation of it turning romantic.

The only reason why it seems that B*ddie is the most popular thing about 9-1-1 is that their fandom is a loud and hyperactive majority across social media. Other fandom stans and GA/casual viewers may not be as dominant on socials, but they exist in a lot higher numbers than BoBs can ever imagine. BoBs overestimate their clout.

Bucktommies obviously love Tommy Kinard with their whole hearts, adore how good he is with Buck, and so would love for them to be endgame. But BoBs don't realise that even the audiences that are not hugely invested in Tevan as us BTs, are not losing sleep over the fact that Buck is with Tommy and not Eddie. They watch the show for other characters and storylines and all the drama and action. Buck's love life doesn't hamper their enjoyment of the show; they may be neutral to it. Even if not all of them maybe loving Tommy, doesn't mean they hate him either.

Again, the reason why Buck or Eddie's past relationships with their female LIs weren't popular even among the GA the way Madney, Henren, or Bathena are, is not because they wanted Buck and Eddie to end up together. I believe it's because those romantic storylines were half-baked or poorly-written, not making the casual viewer care enough. If Buck ever had a female LI with as much potential as Tommy, or if Eddie could treat a partner decently, those hypothetical ships could become popular too. People enjoy Bucktommy because of how beautiful their love story is overall, not simply because it's a 'queer' love story. Their storyline has the potential to be long-term, and Tommy being well-integrated with the rest of the characters solidifies the possibility of him and Buck going a long way.

What excuse would the BoBs who want Buck to experiment have had if Buck hadn't come out last season and Tommy were a woman? What if that storyline would still show a positive romantic development for Buck where the new female LI put in an equal amount of effort into the relationship, like Tommy has? Yes, a lot of the initial hype around Bucktommy was because it's a queer love story, but even if you replaced Tommy with a female character and made her care about Buck the same way that Tommy does, or have Buck be as smitten with her as he is with Tommy, many audiences would still dig that.

The same-sex aspect of it is just icing on the cake; the cake would still have been delicious if baked well (but the icing is significant for queer fans who crave good representation on TV.) But integrating Buck's bisexuality arc into a thriving relationship with a pre-established character is a welcome development for queer fans and GA alike. The viewership stats prove that Bucktommy is definitely not damaging the show, but contributing to making it more successful if anything.

So the BoBs need to know that all their constant whining, cyberbullying and Tommy/LFJR slander is not going to scare ABC or the showrunner & writing staff into giving them what they want. B*ddie fanatics are too tiny a portion of this gigantic equation (that exists far beyond the confines of social media), and losing them is not going to affect the network or the people making the show.

Even in the unfortunate scenario that Bucktommy doesn't last, most of the GA/casual viewers will still not stop watching the show. We BTs will be heartbroken and cry for a few weeks and then move on, because the show's writers can do what they want and owe us nothing. But we're not going to spend years bullying and threatening them for not making our ship endgame. That's the power of GA and the show will continue for as long as it has the ratings and network support to back it up, regardless of who Buck ends up with.

And for now, the GA is enjoying Buck with Tommy, so luckily things aren't looking too shabby for the BT fandom and the storyline should stay its course unless the writers decide otherwise, which they don't really have a reason to given the largely positive response reflected through the ratings. Even though we can't predict what happens in the future, we'll cherish every small or big Bucktommy win that comes our way until then! BoBs can keep screaming into the void as usual, but things wouldn't change because they think they can make it happen. That's all.

___

[7s3ven]

POPULAR. luke (pjo)

( master list )

IN WHICH… Y/N is tired of being bullied her whole life so she makes a deal with Luke. As long as she does his bidding, he’ll make her popular.

“Beggin' on her knees to be popular. That's her dream, to be popular. Kill anyone to be popular, sell her soul to be popular.”

Warnings : toxic! luke + y/n (but they’re lowkey iconic together), gore, death, manipulation if you squint, dark themes, y/n + luke are both pretty messed up, pretty gruesome near the end, not proof read

A/N : Me when I wanna write toxic one shots to express my feelings but I've been in toxic relationships and writing fluff is how I comfort myself :c

—

Years ago, the young Y/N would’ve scoffed in her face. Maybe even spat at her if she was feeling bratty enough. Why make a deal with Luke? It was like selling your soul to the devil.

Camp Half-Blood loved Luke, adored him even. But under all that courage and glory was a monster. Y/N had seen it first hand when he turned his head for a split second during a duel, his eyes going dark and his lips curling into a cruel sneer.

Nobody except Y/N ever noticed that hidden darkness behind his soft kindness. It wasn’t her fault she made that wretched deal. He approached her first, staring so longingly into her eyes and speaking with a voice so charming that she hung off every word.

The first time he talked to her was when she was eating breakfast, isolated from the rest of her chattering siblings. Ares was her father, which explained all her retrained anger towards the world. She was the lowest of the bunch, never socialising with anyone and avoiding all group activities to the best of her ability.

She was skilled with a spear but did anybody notice? No one did. Except Luke. In a way, he was her saviour in this eat or be eaten world. Y/N was a tough cookie to crack but getting her head shoved into toilets every day could wear down anybody.

Luke wasn’t usually one to take an interest in girls. He had plenty fawning over him for his attention but none of them could catch his eye like Y/N. There was something about her precise aim with the blade of her spear and the way she gulped down her ice cold water without a second thought. Call it creepy, but Luke found solitude in secretly watching Y/N train.

“Y/N.” Was the first thing Luke had ever said to her. She looked up in surprise and Clarisse’s face turned sour at the sight of the Hermes boy. Her beady eyes narrowed as his hand brushed against Y/N’s shoulder.

“You’re pretty good with a spear.” He quietly whispered in Y/N’s ear so none of the other Ares kids could hear him. “If you ever need a sparring partner, I’m right here.”

Y/N lips parted in shock as she watched him slink off towards his own table. Her siblings stared at her in curiosity before turning back do their food, scoffing at her.

Every minute, Y/N would steal small glances at Luke. And every time, he caught her and gave her a knowing smirk. She looked down at her plate after being caught for the fifth time, her cheeks flushing red and turning hot. She no longer felt hungry.

Y/N stood up, scraping the rest of her food into the fire. She felt a presence behind her but she paid no mind to it until they spoke it.

“So, did you think about my offer?” Of course it was Luke. Y/N flinched, almost dropping the porcelain plate into the fire to join her discarded meal.

“Why me?” She asked, her voice nothing but a quiet whisper that barely reached Luke’s ears.

“Why not you?” He replied, cheekily tilting his head.

Y/N could come up with many reasons to that question. She always took Luke as someone who carefully picked who he interacted with, especially when it came to girls.

“May’s prettier.” She said, nodding over to the bright brown-haired girl tucked in the middle of the Aphrodite table.

“Yeah, she’s pretty but you’re prettier.”

“Vivian’s smarter.”

Luke glanced at the Athena girl with not much interest, shrugging. “Not my type.” Vivian’s was everybody type with her sharp-witted mouth and perfectly cut bob.

“Why are you talking to me, Luke?” After a while, Y/N cut straight to the chase. She furrowed her brows in confusion, a little uneasy with how close Luke was and how girls were glancing over at her.

“I’ve seen you fight.” Luke continued to avoid her questions, much to her annoyance. “Like I said, I’d be happy to be your sparring partner. Today, five pm. Does that work for you?”

Y/N stared at him, hesitating for a moment before she slowly nodded. “Yeah… I’ll see you then.” She briefly smiled before rushing off, dumping her plate somewhere else.

Luke wasn’t expecting much when he showed up at the arena, holding his newly sharpened sword. He figured that if Y/N didn’t end up coming then he could at least get some solo practice in.

But no, she was sitting on a bench inside the arena, fiddling with her spear. She lifted her head, her eyes locking with Luke’s.

“Well, this is a pleasant surprise. I didn’t know you’d actually show up.” He dropped his sword in front of her, grinning.

Y/N shrugged. “It… seemed rude not to.” She muttered, looking down at the ground around.

“I’ll be honest, Y/N. I didn’t just want to spar with you. I’ve come to make you a deal. I’ve noticed that a particular someone keeps shoving your head into a toilet.” Luke smirked when he saw Y/N stiffen. He crouched down in front of her, “What if I told you… that I could make it all go away? Just like that.”

He snapped his fingers.

“I can make you popular, Y/N. So popular that no one, not even Clarisse, will mess with you again.”

Y/N gave Luke that same narrowed glare that Clarisse often sent his way. “What’s the catch?” She asked, causing Luke to chuckle.

“Smart. The catch isn’t that big. All you have to do is whatever I tell you to.”

Y/N’s eyebrows raised slightly as she finally made eye contact with Luke again. He charmingly smiled at her. She thickly gulped, weighing out all her options in her head. She could reject his offer and be the victim of relentless bullying… or she could accept and never get hit by Clarisse again.

Luke frowned at her hesitation. “The choice is your’s.”

Y/N’s eyes flickered to look at everything but him. She slowly nodded. “Okay.” She whispered. “Okay. I’ll do it. Deal.”

It started off small. Steal someone from Clarisse, easy enough. Y/N was almost as cunning as Hermes himself, which slightly impressed Luke. He gave her a nod of approval after she dropped Clarisse’s beloved spear in front of him. As promised, he stopped the bullying, but in a way Y/N never expected.

After yet another failed game of capture the flag, Y/N was walking towards the large crowd of demigods when Luke abruptly picked her up and kissed her. Dating or even being around Luke Castellan was guaranteed to make you popular and Y/N had somehow been roped into it without her knowledge.

Her tasks weren’t too difficult until Luke told her to do the unthinkable. To pick a target and violently murder them as a warning to the camp that bad things were coming.

“Luke… you know I can’t.” She muttered as she hid behind the Hermes cabin with him. She was clutching onto his arm, begging him to give her another task. Luke stared down at her in annoyance.

He rolled his eyes, slightly sneering. “Come on. It’s easy. I’ll even show you.” Y/N peered at him through her lashes, looking like a deer in headlights. But she couldn’t say no. She could never say no to Luke when he had his lips pressed so firmly against her’s and when his fingers traced delicate circles around her waist as he lifted her shirt.

After that short conversation, Y/N’s nights consisted of sneaking out to meet Luke. He taught her how to wield an ax, how to knock someone out, and even explained how to dismember a body. Clearly, he had studied these dark topics.

Y/N lay on the forest floor, staring up at the stars. Luke was nearby, his arm lazily slung around her waist and pulling her closer towards him.

“We have to be careful.” He whispered in her ear, tucking a strand of her hair away. Y/N knew that if Luke went down, she’d be forced with him and vice versa. He pressed a light kiss to her neck, inhaling the smell of her floral perfume.

Luke had a twisted obsession with the idea of murder. It thrilled him. The vivid image in his mind of blood splattered across the floor and limbs bent at awkward angles made his stomach churn but... it was exciting.

"Luke... what are we doing with our lives?" Y/N muttered, turning to face him. When had everything gone downhill? When did they suddenly turn into borderline murders and sadists? Perhaps Luke was always like this and he infected Y/N with his disease. But if she was willing to do anything to become popular, even drive a knife through someone's heart, then it just showed Luke that she might be as abnormal as him. “Princess,” Luke’s voice was barely a whisper as he handed her a cigarette. He often kept them hidden under his mattress, only taking them out when he needed to destress. He lit the tip for her and watched as she slowly took a drag, blowing out a mouthful of smoke.

The pair stared down at the body in front of them. They weren’t dead, merely knocked out. Outside, the wind was relentless. It smashed against the wooden walls of the abandoned cabin, as if warning Y/N and Luke to stop whatever madness they were about to commit.

BORN IN GRIEF,

“Do you ever think it could have been different if the gods gave a fuck about us?” Y/N asked, tilting her head to the side. She took another drawl from the cigarette before passing it over to Luke. “Would we be less… messed up if they actually cared?”

Luke shrugged. “Maybe. But this is who we are, we can’t change that.”

RAISED IN HATE,

Y/N would never admit it out loud but she and Luke were sick. Sick for even thinking of doing this and suddenly, Y/N’s stomach lurched. A tiny morsel of her personal morals held her back from approaching the body but she was also curious. How long would it take until the demigod before them realised their doom?

HELPLESS TO DEFY THEIR FATE.

They stirred but their eyes never fluttered open. Luke and Y/N exchanged a look before he gestured her forward. She held the wooden handle of the ax tightly, dragging it along the floor as she stepped towards the unconscious body.

Y/N was unusually calm when she lifted the ax, the sharp blade glinting in the moonlight. Suddenly, the demigod awoke with a desperate gasp. They scrambled back at the sight of Y/N.

LET THEM RUN,

“Please, don’t… what have I ever done to you? Don’t kill me! I haven’t even completed a quest or been claimed yet!” The demigod clasped their hands together, begging for sweet mercy. Y/N merely gazed at them, wide-eyed and unmoving.

“I’m afraid she won’t listen to you.” Luke made his presence known. The demigod’s eyes flickered over to him and they let out another gasp. They couldn’t beloved that Luke, the son of Hermes, the heartthrob of Camp Half-Blood was sitting idly on the sidelines while his companion was staring at them like they were an experiment. Simply a hypothesis that needed to be tested.

“She works for me. She’d kill her best friend if I told her to.” Luke gestured for Y/N to continue. The ax was raised above her head, ready to pierce the heart. Y/N swiftly swung the blade down. It buried itself in the demigod’s chest and a drowned-out scream slipped past their lips.

LET THEM LIVE,

Y/N’s eyes shook as she stared at the body in what could only be described as desperation. Desperation to land another sick blow.

Y/N lost count of how many times she raised the ax up and swung it down. All she could think about was the euphoria and giddiness rushing to her head. Blood stained her skin but she didn’t stop until the demigod was nothing but a mangled corpse, unable to be identified just by looking at their gruesome face.

Thunder crashed and lightning flickered. Rain poured down, the gods’ way of expressing their grave disappointment.

BUT DO NOT FORGET WHAT WE CANNOT FORGIVE.

Luke blew out another cloud of smoke, gazing at Y/N with his own twisted version of love. “Red looks good on you.” He uttered, spinning her around like she was in a beautiful ball gown and he was her date to prom.

Y/N laughed, the thrill of killing taking over. Luke’s lips curved into a smile. He had never heard the sound of her laugher before. And he was already intoxicated. Her lips tasted like smoke and tangy metal and he pulled her closer.

THEY ARE NOT ONE OF US, NOT OUR KIND.

PJO TAG LIST : @lostinhisworld @julielightwood @outerbanks-stuff @jennapancake @csifandom @evrybodydies1 @kkrenae @s0ulsniper @annispamz @justanotherkpopstanlol @soraya-09 @simpforeveyone @papichulo120627 @corpsebridenightamare @lilacspider @prettylilsimp @urmomsbananabread @ur-lacol-dsylexic @hottiewifeyyyy @kamiliora @be-bap @finnickodaddy @th0tblckgrl @shoyofroyoyoyo @uniquely-her @imafrkinsimp @syraxesrevenge @ahh-chickens @dracoslovergirl @midnightstar-90 @8812-342 @liv1104 @krkiiz @arialikestea @ch16rles @lizziesliz @maryclx01 @lukecastellandefender @yuminako @coryoskywalker @julielightwood @crybabysbakery @jsbaby @liviessun @p3pperm1nttea @angie-esc @purplerose291 @prettylilsimp @10ava01 @froggiesstalks @happy-jj @czennieszn @gisellesprettylies @loveyava @csifandom @luvvfromme @mashiromochi @kamiliora @yorksyree @mqg125 @jamesmackreideswife @niktwazny303

[diaday333]

Prayers to the Gods for the Palestinian people.

Keep sharing, keeping protesting, keep b0ycotting, but your prayers also have power, not just for yourself, but for others too. The Gods weep as we do at this injustice. They are just as angry as we are. The Gods will always care about injustice. Remember Xenia.

Also ! Anyone can use these, feel free to change the prayers to fit any other gods!

—————————————————————

To Apollo and Artemis to protect the young in Palestine

To lovely Artemis and Apollo, protectors of children, please give your grace to the children of Palestine.

Please let them have as many joyful moments as possible— even if it's their last.

Watch over them and protect them all the way into to their final seconds

Avert evil and harm from them as much as possible

Grant them the peace of seeing their siblings and caretakers, even if it's the last time

Let them know the joys of being a child, even if it's fleeting Let them play, sing, dance

Grant them joy and grant them peace and then extend that joy, comfort, and beauty into their afterlives/ next lives, so that they won't know this fear and sorrow again.

Love and protect the children of Palestine as they are as precious as any other

—————————————————————

To Ares, most unbreakable

To Ares, most unbreakable, whose courage and strength are as unlimited as he is

Please extend that same fortitude and strength to the Palestinians

Οβριμος (strong, mighty) make it so that their strength and courage never runs out

Αδάμαστος (unconquerable, indestructible) make it so they wont die without a fight, that as much as the oppressors think they have complete power of them, they never will

Τειχεσιπλητης (stormer of cities, walls) make it so they break out of the hell they've been forced it

Λαοσσοος (he who rallies people), make it so the people unconditionally come to their support

Beloved Ares, you are as kind as you are destructive Save your grace for the Palestinians, for you weep as much as we do for them.

But unleash your wrath on the oppressors and murderers

Make it so they never have another day of peace

That the blood on their hands stains everything they touch, polluting their lives, and so it may never wash off

Δεινος (terrible, fearsome), show them no mercy.

Ares, saviour and protector of people, protect and love the Palestinians as you do.

—————————————————————

To Athena defender and savior of people

To Athene, defender of cities

She with the most wisdom, hold them with you under your unbreakable shield

Σωτειρα (savior) please save them from the unyielding bombs and rubble that many are buried in

Αλαλκομενηις (protector) protect them always, for they are as precious as any other. Protect them while alive and after they're gone, protect their legacy, their story

Παιωνια (healer), help them use their limited medical supplies to save as many as they can. Protect the doctors and any healthcare workers, so that they may help as many as they can

Protector, Saviour, defender, please save the Palestinian people, their home, and their legacy.

—————————————————————

To Zeus, savior and most merciful

To Zeus, most high, extend your endless kindness and grace to the Palestinian people.

Σωτηρ (savior) please save the Palestinian people, for their lives are as precious as any other.

For they have a culture, story and history as rich as any other.

Λαοιτης (of the people) make it so they are never forgotten and while some deem them unworthy of living, make that known to the people that that is untrue

Ελευθεριος (of freedom) make it so they will know freedom and will not be under siege any longer

Τροπαιος (turns to flight, defeats), instill in them the fighting spirit they need, and the spirit to live, so they can expel the oppressors from their land.

Παλαμναιος (punisher of murderers), make it so the oppressors can’t get away with their crime, that they never can escape from their own actions

Επιδωτης (giver of good), make it so they can find as many moments of peace and slight escape as they can, no matter how fleeting it is. Whether it be sitting with a loved one or getting a sip of fresh water, give it to them.

Θεος Αγαθος, (the good god) you as much as the other Gods teach us Xenia (hospitality, friendliness basically), to hold it close to our hearts, to hold people close to our hearts. We know you are as just as angry as we are, and we know you mourn with us. And just like you, we will let no injustice pass

No one should stay silent about this or any other injustices. Speak up, protest, share, and pray

(Also please excuse any spelling, grammar, and other errors,, I did read over it but yknow)

[kyoteugly]

Disclaimer: This may be a bit chaotic (also sorry for my English), I never done this type of post before and I assume you know the show so I don’t go into details of every event - you saw them, you know what they’re about. And it all comes down to Buddie going canon. Here we go, enjoy! (warning 3,6k words)

If we take a look at 911 from a distance some things fall in an interesting pattern. I believe at least part of it is intentional. And if this theory is correct - standing ovations for the creators are in order, because they kept the continuity of the previous seasons while simultaneously re-launching the series. We have introductions of the main characters, we revisit big moments from their lives (sometimes in a more flashy way, sometimes more subtle), and we get a new perspective from them (those big moments) to show the character’s growth.

Ok, what’s the theory?

You should watch seasons 7 and 8 as seasons 1 and 2 on abc.

But Tim isn’t simply retelling the story. He takes the core emotion from a big event and puts it into new scenery with inclusion of how the character had changed over the seasons 1-6. 

Before I jump into Buck and Eddie, let's look at a few examples. 

ATHENA:

Introduction of Athena in season 1 goes with her marriage problems. The same in season 7 (it’s one-sided, because it’s her story, not Bobby’s).

May suicide attempt -> in season 7 there is this unnerving vibe around Bobby’s retiring actions, especially when Athena is talking with him (at least I felt this suicidal vibe and we all thought for a moment Bobby is responsible for their house burning down).

The reason why Athena became a cop, the tragic story of her fiance -> bringing back Jenkins in season 8. This plot could work without him, there could be just some no-name prisoner and Athena could simply get the order to escort him without any deep explanation - but the main core of this plot was to revisit Athena’s past.

She was attacked/in mortal danger on the job -> the whole plane disaster in season 8 (and I’ll get back to that because this is the key moment in Bathena story, this is their core).

BOBBY:

His alcoholism is haunting him and it leads to his house burning down while he’s trying to save his wife (and all of this is the result of his actions). His arc in season 7 covers his past.

And also his relationship with the 118 get’s the familiar spotlight - him being a father figure for the team. Everyone comes to him for advice while he’s forced to be away from his firehouse - and during those conversations he’s in the middle of planning his future with Athena (previously their wedding, now it’s about their new home).

As for them as a couple it’s the plot lines of Athena being attacked and her landing the plane. She is in danger, doing her job, he is the one watching/listening. But while in the past he was powerless, merely an audience to her fight, now he is her partner, he’s in danger with her and it’s his choice (with the cruise ship they both were thrown into the danger, this wasn’t the parallel to the past). And yes, this is their characteristic, but when you’re new to the show, you started watching it with season 7, you may not know this about them… so here, Tim is showing you what Bathena is about, ride or die partners with unwavering faith in each other.

Again, the core element of the big moment and the emotional growth/journey of the characters (introduction while keeping the continuity - revisiting the events, not retelling them).

HEN:

She has a very big plot line that includes a few big events from her life.

The plot with Ortiz’s son reminds me of the girl Hen hit with an ambulance. Back then Hen was a mess, doubtful about herself, and people around her reminded her that she did everything right. Now she doesn’t doubt, she’s sure, even when there is not enough conviction from her team. 

Following this plot we have the whole thing with Ortiz and Mara - which basically is covering the same core aspect we saw with Eva and Denny.

For Hen, family is the most important, actually for her and Karen - and this part also shows their journey as the power couple - because now they’re fighting together for their child (against Ortiz) and not with each other (like it was when Eva was threatening their family). They’re much stronger now, after all those years, family love guiding them through life.

CHIM & MADDIE:

They both have their respective episodes in season 7.

Chimney: Why put Doug there? Why Kevin and karaoke bar (the backstory of how Chim became a firefighter) if not for the introduction of the character, for revisiting his big moments…? 

Maddie and the call with the abducted woman -> we learn later it was her stalker not her husband, but Maddie assumes it’s the husband because of her own trauma. And in the same episode her postpartum depression is also addressed -> the abducted woman is separated from her baby - it’s symbolic but it’s there (like I said, not everything is flashy).

As for Madney - it’s all in the way they’re looking for each other when their mental state is in question (past - Maddie in Boston, present - Chim being sick). Their emotional journey lies in the way of how sure of their love they are. Again, in the past they were taking things slow, finding each other but giving each other space and time, careful “i love you” etc - Now they speed things up by getting married right away, right there in the hospital - because they’re sure.

There are more core things (and revisits) to all characters but I won’t go deeper into this because I want to talk about Buddie (with more details)... so…

All 3 power couples got introduced and redefined anew for the new audience, but the core of what makes them Bathena, Henren, and Madney remained the same - just bigger, bolder, stronger… What remains, in the spectrum of main relationships, waiting to receive the same treatment, is Buddie.

EDDIE:

Through season 7 and 8 so far we got to see main aspects of Eddie - soldier, father, widower, best friend (yes, there are elements of them being more, of some deeper feelings, especially from Eddie’s side - this is the part of the continuity from previous seasons… but because seasons 7 and 8 are new seasons 1 and 2, Buddie is leaning a little more to the “best friends” side - for now… it just started to change with episode 8x05).

We learn about Eddie’s character - he’s caring but also sassy, he works great under pressure, he’s not superstitious, he panics when relationships get too serious (not full blown panic attacks this time, but catholic guilt plays the same role here).

The big moment from Eddie’s past is Shannon’s death. The show can’t tell this story again, can’t kill Shannon again, but they can show the new audience the impact Shannon had (and still has) on Eddie’s life -> and here we have the whole “Kim plot”. 

One more thing worth mentioning about Eddie and parallels is that he left Chris and his wife in the past -> now Chris is the one who left him, and the only relationship his son has to offer to Eddie is a glitching facetime video in a moment of the day when he’s busy (Chris) - sounds familiar.

Yes, there are more big moments in previous seasons, but each of them is intertwined with Buck, ergo can’t be discussed without him. So let’s jump into Buck now.

BUCK:

Just like with Eddie we get the reminder of main characteristic of Buck in form of: infodumping, ingenuity, thinking outside the box, being good/capable on a job, abandonment issues (Eddie spending time with Tommy), craving for approval/affirmation (he hates Gerrard and still seeks that pat on the back and “good boy” comment), his spiraling and believe in supernatural, and he’s like a kid in 118 family.

I feel like we got all of his aspects (and the same with Eddie’s) that we know from previous seasons in an easy to swallow pill, coated with a bit of comedy.

Big moments in Buck’s life include Eddie, but there are few relationships that are very important to this character that are highlighted in seasons 7 and 8). 

Christopher. For now we don’t really see the depth of Buck’s and Chris' relationship. New audience can safely say he is somewhat of a “fun uncle” for Chris (right now Chris is his best friend’s son) - this is because we still haven’t seen the equivalent of what created the bond between them - the tsunami (I believe we will get that when Chris comes back from Texas or his return will include scenes related to their bond and this big event from their lives).

Maddie. This one is simple for now, they’re great siblings, they support each other, the upcoming scene with Maddie should add more.

Best friend Eddie - partners on a job and in crime, knowing each other so well they can read every small signals (it’s mostly visible in 7x01 and 8x01), showing up for each other etc - you all know what I mean - Eddie jumping into idea of bachelor party, Buck confronting Eddie about Kim, Buck’s coming out, Eddie asking for help with Chris (twice) - all of that have (mostly) subtle Buddie themed moments (smiles, looks, wording) but what screams loudly is that they’re best friends (like you’ve never seen better friends than them). Like I said before it started to change in 8x05, and even earlier we see a little bit more of Eddie, like he’s kind of in the background - just remember this, I’ll explain in more details later.

Bobby. This relationship is highlighted the most, and after the first 3 episodes of season 8 nobody has any doubt that Bobby is like a father to Buck (in case somebody missed it in 7x10). In previous seasons we saw how this father-son thing evolved between them (whole season 1, lawsuit, Buck spiraling because of radiation Bobby “absorbed”, coma dream, etc), and now we get the speed run through it to establish how it works.

There is one more very important relationship in Buck’s life that also counts as Buck’s big moment. And it’s Abby, who is represented by Tommy. Older, more experienced love interest, who shows Buck he still has something to learn about relationships, who changes his perspective. It goes further. Remember the guy who was catfishing girls with Buck’s photos? Remember when he was in a meeting with Abby and a girl came up to them? Abby didn’t like what she heard and left Buck cold in that cafe/restaurant. Sounds familiar? Yeah, it should. His first date with Tommy, interrupted by someone, where Tommy didn’t like Buck’s behavior and left him on a curb. What’s important, none of them (not Tommy nor Abby) told him it was over, they were disappointed, of course, but left with the vibe “contact me when you grow up”/”I don’t do dramas”. Again, this is parallel, the revisit to the past event (core of the scenes remains) but the point here is not to tell the same story again but show something new, so Buck’s relationship with Tommy goes in its own way.

I would like to address the lightning strike here, because I believe this event won’t get “the revisit” treatment. It was mentioned in background in season 7 - the locker room scene with Eddie and how Buck tells Tommy the night they met was the best one he had since he died (or something like that). So the lightning strike exists already in season 7 and 8 narrative for the new audience.

Ok. In previous seasons we saw all main couples dating and getting married - basically becoming what they are now. And we saw how Buck’s and Eddie’s relationship grew and evolved throughout the seasons - but they never reached the status of a couple.

So we are now at 8x05, we have all main characters introduced, all power couples redefined by some huge events that made them stronger. We have Buck and Eddie - best friends for life - now is the time to show Buddie of it all.

BUDDIE:

Believe it or not, episode 5 is about Buddie in so many ways, but not in a way you think it is… It’s about retelling their emotional journey, their bonding path and what makes their relationship so special. Yes, I’m using “retelling” here, because the story of their feelings never reached the conclusion, it was always between the lines, and now it can be told anew. Tim already had the perfect recipe for them, so now he is using the core ingredients, to once more reach the point where making them a couple will feel natural. It’s not only about making them canon, it’s about telling beautiful love story - patience is important, their emotional state is the key and has to be set up just right. 

Ok. Masks. This title is a red herring in itself. If we talk about who is wearing a mask the answer is simple - everybody, it’s a Halloween episode. Going deeper we can say - it’s Eddie with his ‘fine’ mask. Let’s go even deeper, it’s not a noun “masks” (in plural), it’s a verb. The whole episode is masking itself, and it’s masking who the story is about. We have two major plot lines here, Buck’s (a comedy) and Henren (drama), both very loud and over the top, making the audience look in one way when in the background another story is unfolding. Red herrings everywhere.

What are the big moments from Buck’s and Eddie’s life that are hidden in this episode? When did Buddie truly start? Firetruck, tsunami, lawsuit, fight club, divorce era… yes, it’s all there… well, tsunami is only mentioned there because it’s Buck and Chis arc, but the important moment for Buddie after the tsunami is still represented in this episode by Karen’s words “You saved him”. Let’s break it down.

BUCK:

Firetruck: the event itself is represented in Denny’s accident. He’s pinned by the vehicle, Karen is holding his hand while others are trying to save him, there is and audience to his tragedy, a lot of people (in this case firefighters) are working together (building the construction) to get him out, the accident was caused by a man who was driven by vengeance/seeking justice, in the end Denny has his leg in cast - the same leg Buck had.

Lawsuit: The whole Buck’s curse plot - injury on a job (to his limb), aftermath of which he ends up with a medical condition (boils = blood thinners), which causes him to focus solely on himself. Buck is so self absorbed in this episode he doesn’t notice his own boyfriend, let alone his best friend (if you want me to write a longer post about Buddie in corelation to Buck and Tommy and why imo Buck is a lame boyfriend in this episode let me know - I won’t do that in this post).

The things above are like playing with the form of what I mentioned before - revisiting previous events. What’s important here is the emotional state of Buck. He learns very quickly he can come back to his job (Eddie is asking about it, because he knows how important it is for Buck) but the boils ultimately send him on a spiral and right back to the self absorbed state of mind - and the reason for it is to make him blind on what’s going on with Eddie.

EDDIE:

Fight club and divorce era are played out here only in Eddie’s emotional state because the show is putting Eddie in the background on purpose so we can’t have big moments played out in a form of parallel scenes. 

But just like with the fight club, Eddie is distancing himself from the firefam. I said already that Eddie is kinda in the background - this is the part where we can see Eddie isolated and alone, in this episode it screams the loudest (compared to the previous ones). 

The haunted house - Hen is terrifying, Chim is scary, even Buck, whose job was to give out candy, managed to freak everybody out (including himself) - only Eddie is this lame and cringe werewolf wannabe. This is a metaphorical, subtle way to show he stands out from the rest of the team. He’s with them but he is alone in the crowd. They have to ask him about Chris, he’s not talking about him himself and he’s keeping his ‘i’m fine’ mask on (pun intended). In fight club era Eddie is grieving after Shannon, now he’s grieving his relationship with Chris. He’s hiding his pain just like he was hiding his bruises.

Divorce era can be seen in a way Eddie interacts with Buck. He’s losing his patience sooner than usual, is meaner in his comments because he’s running on fumes, getting closer to his breaking point (it could escalate, we know he can snap when he can’t deal with his emotions). He doesn’t look at Buck - and I know, it’s because of the things on Buck’s face, hiding behind the magazine, sucking on lollipop… but honestly, do we actually believe that? Or the comedy of those scenes masked that they’re disconnected right now (actually they’re disconnected since Gerrard made them work separately. How they miss each other's eyes in the courtroom - it started there). The episode ends so blatantly showing us Buck talking bullshit with his head so far up his behind he doesn’t think for a second that Eddie needs him. And Eddie, well, he’s fighting alone, just like he was when he stepped into the ring.

WHAT’S NEXT:

If I’m right about all this, and not just insane, we will see 4 more big events - or rather the emotional state those events invoked. 

Kitchen scene - Buck being sorry for not being there for Eddie, when he needed him (the tension aspect of the scene would be nice, but the actual core of this scene is Buck admitting he failed Eddie and Eddie actually listening and accepting Buck’s words).

Well - Eddie has to save himself, deal with something on his own (with only briefly mentioning Buck, mostly Chris).

Will - this has to be addressed at some point. We know about the will but people who started watching from season 7 don’t. This will be clear, no red herrings, no telling story in the background.

Shooting arc - Buck being scared he may lose Eddie. It doesn’t have to be a near death experience, it can be Eddie deciding he’ll move to Texas - the core is fear of losing his… right, what? Best friend? When we reach this point they’ll be more, and “best friends” term won’t be enough, not even to the general audience. 

After that we can start talking about Buddie canon.

Of course there will be more scenes, new scenes, the characters are still growing but in my opinion Tim is trying to set up and show similar emotional journey for them, right up to the point when we should have had Buddie… and he will pick up where he left them, messed up and vulnerable and so in love with each other it’s overwhelming (shooting arc)… then we will go in a straight line to the Buddie canon.

I don’t want to make predictions, I’m bad at it. I prefer to analyze. But in my opinion and what I know about the next episode, I think the well call will serve as a reminder about Eddie Begins, the actual connection between past and present will be in the mustache scene (or right before the mustache scene). 

Final thoughts.

We all see the parallels between different characters and between previous seasons and new ones. We get frustrated about some plot lines and episodes (Bobby episode, Kim plot line)... But if you take a few steps back and look at season 7 as season 1 it makes sense to show these threads again. If you look at all the elements we talk about as a fandom you will see it’s one huge project, not just hints placed here and there. And it’s not just for the benefit of long term fans, it’s for the new audience to get to know these characters, to fall in love with them, to make them curious enough to watch previous seasons.

We all feel it, this carefree vibe from season 1, we’re all falling in love again, saying season 8 has what’s the best in 911, has it all. And I believe it’s because of what I wrote above, these new introductions of characters and relationships. 

One relationship remains to be shown in all its beautiful and unhinged glory - Buddie.

And I believe once we get the equivalent of a shooting arc we will get Buddie canon - this time Tim will tell their story how he wanted - with Buck and Eddie together, as a couple, as soulmates.

Wow, this was long. Sorry for the chaos, I never done this type of post before, but I hope you got the gist of it and enjoyed it. Remember, it’s only my opinion, I could be wrong (honestly, I probably am xP) but I wanted to share my thoughts because I got very hyped up about it. Feel free to contact me if you want.

Tagging some people who may be interested (if you want me to remove you from this post let me know): @buddiebeginz @stagefoureddiediaz @lemotmo @inell @jackwhiteprophetic @lover-of-mine @loveyourownsmiilee

Part 2, episode Confessions - HERE

[rayaverra]

Jealousy Unleashed // Luke Castellan

pairing: luke castellan x fem!reader

genre: angst

request: Hi, could you do Luke castellan x fem reader where the reader makes Luke jealous? Thank you!

summary: you and Luke had an argument, and now you try to break his silent treatment by making him jealous.

warnings: probably language

wc: 1k

notes: I had many ideas of how to approach this, but I decided to make it a bit angst. hope you like it :)

english is not my first language, so there may be mistakes.

・❥・༶•┈┈୨♡୧┈┈•༶・❥・

You and Luke were a beautiful couple, but just like all couples, there was problem in paradise. You didn't argue a lot, but when you did, oh boy! You were both too stubborn and, above all, too proud to admit your wrongs. This time was no different. After a stupid argument (that neither of you remember the cause of because it probably was something stupid), Luke was giving you the silent treatment. He had done this before, but he never lasted longer than a few hours because neither of you could go very long without talking to the other. But this one had been going on for almost two days, and you wouldn't let it pass.

You were at the bonfire sing-along with the Apollo cabin, blatantly talking and laughing with anyone who wasn't Luke. When he attempted to get your attention from across the bonfire, you glanced at him, then turned back around to continue your conversation with Charles.

Luke crossed his arms, gritting his teeth. "Stay calm," he thought to himself. "She's just talking to Beckendorf. He's like four years younger than her."

Just when he started to cool off, you stood up from your seat. He watched as you walked your way to Nick, a boy from the Athena cabin, closer to your age. His blood started to heat up.

In all honesty, you were just talking to him to piss Luke off. It was an awful thing to do—you recognized that—but maybe he needed to suffer a little before you forgave him. Plus, maybe this would make him break his silence and actually talk to you instead of glaring like a little kid from across the room. If Luke wanted to hold a grudge, you would too, and you knew he wouldn't apologize unless you took action.

And of course, you refused to be the one to apologize first.

The Stolls walked over to Luke, picking up immediately on their brother's increasing anger. Connor poked Luke's arm and almost jumped back when Luke gave him a look of murderous rage. "What do you want?" Luke snapped, looking over Travis' shoulder as you leaned toward Nick a bit more. "I'm a little busy, as you can see."

"Totally!" said Travis, rolling his eyes.

"Maybe you should just apologize to her instead of glaring at the back of her head while she talks to Nick." Connor said, glancing over his shoulder at you.

"Who isn't exactly ugly, by the way." Added Travis, reminding Luke how most of the girls at camp consider him attractive.

"You don't know her like I do, so you wouldn't understand. Now go do... whatever you were doing, I told you I'm busy." Luke waved them away with his hands and returned to his previous activity of glaring at his girlfriend, arms crossed, and a childish pout on his lips.

"Yeah, busy pretending you don't care about your girlfriend while pretty boy over there is making openly flirtatious comments towards her." Connor nudged him.

"If I were you, I would apologize now, before she and Nick get even cozier over there," Travis pointed towards you and Nick, who were sitting incredibly close. He had one hand twirling a stand of your hair, the other resting close to your knee.

Luke was furious; in a cartoon world, he would've turned red, and steam would've come out of his ears. He quickly made his way over there before you could even blink, forcing himself in between you both and sitting down right there. He leaned into you, wrapping an arm around your waist, before turning his head toward Nick and raising his eyebrows.

"That looked like a nice conversation, mind if I join you?"

"I don't think it would make much of a difference if I said no," Nick said. The smile he had on his face while he was talking to you had vanished.

Luke smirked, shaking his head. "Nope," he replied, taking your hand in his. You didn't protest; you knew this was his way of saying he was sorry and that the real apology would actually come out soon enough, that is, when Nick stood up and left. Except, Nick stayed in his seat, narrowing his eyes.

"You're not a very good boyfriend, are you, Castellan?" Nick fired, and, oh gods, you could almost see a vein flickering in Luke's forehead. "Since when do you control who your girlfriend talks to?"

Luke pulled away from you, clenching his jaw. His fists tightened, and his eyes narrowed with fury. "Watch your words, Anderson. You're treading on thin ice." He warned, his voice low and dangerous.

You leaned forward, placing one hand on his shoulder and using your other one to relax his tight fist. "Hey, cool it down," you said softly. "This isn't the time for a clash."

Luke visibly relaxed, his shoulders slumping as he gave you a small smile, grabbing your hand tightly.

Nick stood up, a smirk on his face. "Well, that's adorable. A girlfriend having to calm her boyfriend down from murderous fits of rage. How cute."

You held Luke's hand tighter, and his previous anger was replaced with a smirk of his own. "Think whatever you want, Nick, but at the end of the day, there's one thing I get to do, and you don't," he said in a triumphant voice.

"And what's that?" Nick asked with the minimum interest.

"Kiss my incredibly beautiful girlfriend." Luke said, tangling his hands in your hair and pulling you towards him, pressing his soft lips to yours. His inner self did a victory dance when you deepened the kiss, your own hands moving to his cheeks.

"You're such an asshole sometimes," you told him when you pulled away. It wasn't a lie; even Luke himself knew it. But he didn't really care, and neither did you.

He had gotten Nick to walk away and had gotten you to forgive him, all in one shot. Plus, he made out with you, which was always a bonus.

[cranberryjuice-posts]

Hi, I always see fanfics where Clarisse protects the reader, but what about a fanfic where the reader protects her?

👀

- mind your business -

Pairings - Clarisse La Rue x Fem! Reader

Tw - mentions of SOM - not spoilers but mentioned

An - guys I think my chest is colasping 🧍‍♀️ also I have Nike pandas and my friend said “those aren’t creased those are deceased” bc their lowkey turning green😝

An Pt 2 - Tell me Why i just realized Dior is 18 and is turning 19 this year

An Pt 3 - the Pt 2 is Miss Information i got confused I’m sorry 😭😭

Cheering loudly you jumped happily as you watched your girlfriend clarisse in the chariot race . She was dominating the field per usual, bringing you a sense of happiness.

As the chariots crossed the corner the winner was shown as percy and annabeth. Rolling your eyes at the circumstances you didn’t hesitate to run towards the daughter of ares.

Sneaking up and around the chariots that pulled into the clearing you snuck up to the taller girl. Watching for a moment as she yelled at her siblings you took the opportunity to jump behind clarisse covering her eyes. “Guess who”

Peeling your fingers off her face she turned around, looking you up and down with a critical look. She rolled her eyes before kissing your forehead. “I can’t stand you sometimes” she sighed while picking a piece of pollen off of your hair.

“That’s really how Your Gonna Greet your girlfriend?”

“Yes.”

“Ok clarisse” you joked rolling your eyes in response. Stepping up, creasing your shoes you placed a quick kiss on her lips. “Take care of the chariot ok? I need your sister for something” you politely asked the ares kids, stealing clarisse before they would retaliate.

——

“Where are You taking me” Clarisse complained while You dragged her deeper into the mountains.

“Can You Just be quiet and trust me” looking over your shoulder you raised an eyebrow, testing her patience.

After about five minutes of walking you eventually brought her to a clearing, it was ok the edge of one of the many cliffs at camp but gave a good view of not only the beautiful scenery bellow but also of the camp itself.

Leaning into clarisse you wrapped a lazy arm around her while resting your head on her. “Pretty huh”

She just shrugged her shoulders. “It’s all right” You softly hit her in the side. “It’s not all right It’s beautiful you jerk”

“No.. no I’ve seen prettier” she chuckled.

“Oh yeah? Name three things”

“Ok” Clarisse shifted around some. “Uh for starters the sunset, then my spear and lastly I guess you can count” she laughed as you hit her one more time. “I hate you so much”

“I love you to” she chuckled kissing you once again.

“You did great Today.. your dad would be proud you know” you comfortingly mumbled against her lips. Clarisse relaxed Some sighing once again “let’s just hope he agrees”

——

Heading towards the dining hall you happily held your girlfriends hand. Walking in the stone building you stopped making clarisse jerk slightly.

“What’s wrong” she asked with a concerned tone. Breaking from her you headed towards the Athena table.

Walking up to it you crossed your arms “do we have a problem”

They all looked around confused, some mumbling. “What are You on about?” Annabeth spoke all while giving you an equally dirty look.

“There’s nothing wrong with bragging about winning but the second any of you have the audacity to first of all say, clarisse didn’t deserve her quest this year or that she was just an extra burden which may I add you— annabeth crashed her quest, only to then also say that she deserved not winning just shows the fucking arrogance of you all” placing your hands on your hips you eyed the entire now silent table with some of the other kids in the dining hall following suit in being quiet. “Keep my girlfriends name out of your pathetic mouths and we won’t have a problem.. understand”

Walking back to clarisse you took her hand into yours once again, kissing her cheek you started to walk towards the ares cabin table with her. “Have I ever told you how hot you are when you act like a bitch”

“Eh you’ve mentioned it once or twice” giving her one more kiss, pecking her lips a few Times you started to chuckle as her siblings complained.

It didn’t matter what anyone said about clarisse. You would Defend her til the day you die.

[iridiss]

gimme an Aphmau that flirts. gimme an Aphmau that gets Zoey, Garroth, Aaron and even Laurance (when you catch him off guard) flustered. gimme an Aphmau whose the boss. gimme an Aphmau whose witnessed the horrors. give me an Aphmau that’s learned to mature and live in the horrors, who wipes the blood off her lips with her thumb. give me an Aphmau whose not afraid to stab you through the heart when you went a little too far. give me an Irene that invokes eldritch horror in me, give me an Irene whose a little too comfortable with killing for good and just reasons, and Aphmau has to stop herself from going too far. give me an Aphmau soaked in blood, being brought back to earth by Laurance holding her tight. give me an Aphmau who makes shitty puns and jokes and keels over laughing at them. give me an Aphmau who winks at you. give me an Aphmau whose not afraid to cause mischief and chaos (especially in mystreet). give me an Aphmau who gives her boys stone cold orders, and they follow through without hesitation like the good bloodhounds they are.

give me an Ava who loves to party late into the night. give me an Ava whose drunk off her ass and making horrible decisions. give me an Ava whose not afraid to be a bitch and tell it to your face. give me an Aphmau that radiates matriarch energy, who can be serious and stern enough to tell you to cut the shit and everyone listens to her. give me an Aphmau whose in charge. give me an Ava who leashes her boys and takes them out on walks. give me an Ava whose in control, whose in charge of everything going on in her life, and though she may be self-destructive and watching her life fall apart, she’s the one who chose to let it burn.

give me an Aphmau who went through hell and came out stronger because of it. give me an Ava that would take the throne in a heartbeat. give me an Aphmau and an Ava with a lotta love to give and they’ll happily let anyone into their lives, because everyone’s lapping at her feet and wants a taste. everyone wants a bite of her, so she ends up with a whole pack of dogs that’ll do anything she asks them to. give me an Aphmau that embraces that and feels confident in her own skin and loves each and every one of her partners and loves her life and don’t you dare fuck with her, or else the whole packs gonna go for your throat.

give me an Aphmau who radiates happiness and joy and love and kindness, who takes in everyone and anyone, who is the mother to all, who will forgive the unforgivable and turn the devil’s darkest soldier into someone totally and wholly devoted to her. give me an Aphmau surrounded by devotion, undying loyalty, trust, never-ending love. a family that she built from scratch with her bare hands. the gods won’t love you, but she will. she’ll become your new god. gimme an Aphmau that would make a high priest tremble. everyone loves her, do they not? don’t you want a taste too? she’s entrancing. you want to do what she says. she’ll give you a home, she’ll give you love, she’ll build heaven and allow you to live in it.

she’s Aphrodite. she is Hera. she is Persephone. she is Athena.

give me an Aphmau who is power incarnate.

[stagefoureddiediaz]

Costume Meta 7x01

Aaaaaaannnnd we're back!!

OMG I cannot tell you how good it feels to be back writing costume meta - I have missed it so very much and this first episode has given me lots and lots to talk about so lets crack on with it shall we!

Where to start?! Firstly - Its amazing to have Alayna Bell-Price back in the driving seat and she is a genius because she knows the characters better than anyone and I have to say from my perspective there is a pretty clear difference between this episodes costumes and the ones from season 6 - not that s6's costumes were bad, just that you could see the shift of having a designer who didn't know the characters to the same level. I’m going to go in order of character appearance in a non uniform capacity for this one I think so we’re going to jump around from character to character a bit. There is no Maddie or Hen this week, as we don't see them out of uniform, but every one else is accounted for and I've included Norman and Lola as they've got a multi episode arc and their costumes are interesting and playing into a colour theme!

putting it below the cut as its a long post and I on't want to overtake everyones dashes! Enjoy!

We start off with Athena in this pale pink high neck ribbed sweater with large bell sleeves. I've spoken a fair amount about pale pink over the last couple of seasons of costume metas and how, in clothes its representative of childish and immature behaviours or thoughts. That holds true here - the pale pink is playing into Athena's childhood - when she developed her fear of cruise ships - its creating a connection between her childhood experiences and the woman sitting in Franks office.

We get a flashback that shows her in yellow and orange - the yellow for communication and the orange for transformation. A literal moment where we see Athena transform from the innocence of youth to her developing anxiety and fear around cruise ships. Its really clever visual storytelling connecting adult with child and shows us her fear is genuine and founded in something that she may not have been able to articualte fully as a child, but she can as an adult, even if she doesn't actually articulate it to Bobby.

Our next non uniform costume is Chimney. The lighting is really low in this scene, so it's kind of hard to be 100% sure of the colouring, but he seems to be wearing either a dark navy or black button up shirt under a dark green and black bomber jacket. The use of really dark green in combination with black, Back is a colour that can be about hiding ones vulnerabilities - concealment and masking, but it is also a colour associated with magic (generally dark magic) as well as pessimism. The green is growth and renewal, and the hope for a better future. to use them in combination i this way is playing on Chimneys insecurites and fears, his desire to keep the 'magic' alive in his relationship with Maddie, but it also speaks to his growth, that he goes home and talks to her about it (even if he does come up with an insane plan to 'date forever').

Eddie in the locker room - aside from being shirtless for much of it and pulling some epically good faces - was a super interesting costume choice. Especially the use of his watch! first though - Denim shirt time! We don't actually see Eddie in a denim shirt all that often and we've seen him in the super washed out one far more than dark denim shirts. I've been laughing a little bit at a few people (on twitter mostly) claiming its the same shirt he was wearing at the hospital during and after Bucks coma and it being a play on bringing Buck back to life. While I like the theory, its actually a very different shirt - the one in the hospital was black with a grey wash out and was made of velveteen - so different colour and fabric.

This shirt, is however one we have actually seen Eddie wear before and its far more telling than if it were the hospital shirt. You need to bear in mind that this scene is about Buck and Eddies respective girlfriends (or lack there of) and the fact that Christopher has a girlfriend now as well. This shirt is the same shirt Edie was wearing when he (re)introduced Ana to Chris in 4x08 (breaking point my beloved! the gift that keeps on giving!) and this puts a conversation about Marisol and things going well with her into the same category as Ana - suggesting she is ultimately destined for the same fate as Ana. the other thing that plays into this narrative is the use of the watch.

Eddie does not put the Christopher watch on until after he has found out that Buck has broken up with Natalia - so during the entire conversation about their respective girlfriends, he is only holding the Christopher watch, rather than wearing it.

In the picture below from 4x08 you can see that Eddie is wearing his black 'work' watch rather than the brown strapped 'Christopher' watch. Remember that the first time we see the Christopher watch is when he goes for his first date with Ana in Jinx, so he already has this watch and in theory should be wearing it in this scene. The fact he isn't is pretty telling and I'll go into that a bit more later when we get to Chris's (and Eddies) date scene.

Then we have Buck in his outfit of many colours! The white trainers, continue to play into my theory of Buck wearing them when he is in key points on his journey to discover his self - her it is about showing his growth - that he ended the relationship with Natalia - this is a massive thing when we saw how long it took for him to end things with Taylor - The man who clings is growing and getting out before it drags him down!

The jacket is similar in style to many of the ones we've seen him wearing in season 5 and 6, but this one is much brighter and more colourful. I know I go on about white meaning bad things for Buck, but that isn't relevant here - the white bad things happen to Buck theory is much more about t-shirts, jumpers and shirts rather than jackets - its an under-layer rather than a top layer that = danger. So i'm not thinking of its relevance here for this scene. What I am going to say is that this (according to my spreadsheet!) is the first time we've seen Buck in a white jacket of any description. To me, it's playing into the idea of purity and rebirth which is what white is often associated with. This plays into the comment Eddie makes welcoming Buck back to 'the land of the living' but also implies that Buck is starting a new chapter and making a fresh start - the check patterning suggests it might not all be plain sailing though.

The check pattern is an interesting one, obviously check pattern theory comes into play here, but whether its only in relation to the reveal that he split with Natalia, or if its also foreshadowing Buck getting himself into danger/trouble down the line, remains to be seen.

I'm going to quote myself again because I did predict that this scene may be about his relationship with Natalia when we got the stills dropped - the costume department never let us down!

The only thing I can do is scream into the void about check theory because check does't bode well for people - they always end up in the middle of the drama (see my check theory posts linked on my pinned post for more) and while they come out the other side (99% of the time) Buck in check for that scene in 6x18 pretty much doomed his relationship with Natalia (its specific to her and not C&K's baby as Buck wasn't wearing it when he delivered it!) and as that shirt in the still is very un Buck like, has not only yellow ochre in it, but also its a white base (and we all know buck in white is a bad sign!!) and its check patterned - my theory is that this scene is connected to Natalia in some way - either Buck is not being true to him self in more than one way - that things are going to/have come to a head for their relationship (my kingdom for a reverse of Buck to Eddie about Ana in 5x03!!!) and lead to a pretty big change in some way (fingers crossed for Buck to end it and then finally break down and deal with his trauma!!!) Some other things about that shirt - the colour combination - the green blue and yellow ochre are giving me call backs to coma Buck (another reason I think it might be connected to Bucks unresolved trauma around his death and Eddies absense in his dream)

In the quote above, I was also referring to the blue and white check pattern shirt he was wearing when he and Natalia got together, but there was also the fact that in the balcony scene at the end of 6x18, we also saw her in one of Bucks white shirts. I wrote in my 6x18 meta about how those two things combined didn't bode well for that relationship going forward, and thats what leaves me unsure about the check pattern on this white jacket being purely about something that has already happened. If I put my Buddie goggles on, I would perhaps suggest that the troubled times ahead may be more connected to Buck and Eddies relationship, and this would fit in with a couple of the things Oliver and Ryan have said. The thing with check theory though, is that generally speaking if it's on one of the mains, they come out the other side of the dram/trauma stronger than before. So if it is connected to Buck and Eddies relationship, then we can expect it to be in an even stronger position on the other side of whatever goes down (and at this point you can't strengthen their relationship any further and keep them as just friends imo!)

Chimneys forever dating proposal to Maddie, connects with his outfit when he's talking to Hen - it's the same jeans and black shirt, so the meanings of black, can be continued on into this scene - the idea of magic and hiding his vulnerabilities. The addition of the jacket with this brickwork pattern in its weave is a fun choice, it's playing into the idea of building something, but also plays into the idea that Chimney has his walls up - again fitting in with the black meaning of hiding his vulnerabilities - because instead of expressing his fears to Maddie ad then them talking it thorough, he comes up with his insane forever dating concept. the fact that much of this scene is a contrasting parallel with the scene from season 1 when he is pretending to be someone else entirely for Tatiana all ties in perfectly with this costume. The fact that he reverts to wearing blue (ran out of picture spaces so I couldn't include one) later on - when he's realised his plan isn't realistic, talks to Maddie and they end up back on the same page is really good to see - the blue being a signature Chimney colour and is indicative of him being true to himself.

Bobbys blue suit and blue check patterned shirt. The brightness of the blue is a really important choice - it's the only time we see him this brightly coloured on the cruise until he ends up in the bright red at the end. This is important because this is the moment when he's still all excited and hopeful for his honeymoon cruise - everything is good in Bobby's world at this moment in time - the check pattern is telling us that it's not going to stay that way for long. From her on out we see the colours of Bobby's costumes slowly beginning to dull and take on a washed out tone, but here in this moment all is good.

Athena's bright yellow dress is all about making her stand out - communicating with the audience, she is the brightest person in the room (in more ways than one!!). The thing with yellow, apart from the communication aspect, is that it can also be a symbol of anxiety and fear, so this dress plays rather nicely into the theme of Athenas fear of being on that ship.

The colour does have other good traits too - its fresh and bright and is a colour of happiness in its more jewel like tones and I think we can see all of these meanings in these scenes - Athena might be anxious about being on the ship, but she is also happy and enjoying herself with Bobby in that moment.

Lola and Norman. Lola is the one we need to focus on in her very bright very check patterned Victoria Beckham dress. Obviously the check pattern plays into check pattern theory, but the red also acts like a neon sign to the audience - highlighting that Lola is in danger - the ga won't pick up on check theory, although they might connect the dots about the fact this check patterning looks very like a cage - foreshadowing her being held captive later on, but also as a nod to the fact she was incarcerated previously.

The red is also a nod towards romance and love - playing into the rekindling of their relationship and romance in the aftermath of the freeway 'see me Norman' incident.

Ok so Christophers date night and by extension Eddies date night! This is where this meta is goingto get a bit messy and I'm goingto jump around a bit becasue I need to talk about the way colour theory is at play in all the scenes in Christophers bedroom, so we're going to talk about Christophers bedroom as one big thing rather than the two separate scenes that it actually is. They are extensions of one another and build on so much of the groundwork we've already seen in previous seasons.

Chris in plaid check yellow and red check plays perfectly into check pattern theory - it’s a signifier that something is about to go down with him - namely that the fact he’s dating multiple girls at the same time. 

He’s also wearing a white shirt which is not a colour we see on him all that often - in fact, the only times we’ve seen him in a completely white shirt is with his suit in 5x01 when suit shopping and again in 6x08 for his school dance. He did wear a white vest when dressed as wolverine for halloween  So as you can see its not a common colour for him, but the times have seen him wear it as a solid colour have been connected to school/girls and dating (i’m including the suit shopping in this because Ana was there and it was kind of a Eddie and Ana date of sorts - in that it was suppose to be for this Christening - meet the family - date type thing).

The most interesting thing is the plaid hooded shirt though. It was such an interesting choice to go with for a couple of reasons. the colour way is especially loud - we tend to see Chris wearing greens and blues and greys, with the odd other colour thrown in occasionally. So red and yellow are not common colours for him to be wearing.

On the red front we see him in it a couple of times - the adapted skateboarding scene and the scene in 4x10 when he joins Eddie and Ana on the sofa - getting in the way of their date night. We do also see him wear red in Christmas related episodes (so I don’t tend to count them in the same way as the Christmas colour theming will nearly always override any other colour theming intention - the use of stripes or check or other patterning is more important in those episodes!). 

On the yellow front things are even more clear cut - the Tsunami arc, the aftermath of him falling off the skateboard, Mays graduation party and 5x03’s Eddie Ana break up! These (apart from the tsunami shirt) were all bright almost neon yellow.

This new plaid shirt is more into the yellow ochre part of the yellow spectrum, therefore tying much more to the tsunami arc, which is actually really fitting if you think about it in a little more detail - its a connection, not only to Buck, but also to loss and grief. Eddie might have been using his secret weapon (Chris) to get Buck out of his moping (read mourning) over not being able to go back to work, but Christopher is also still grieving the loss of his mother at that point as well, so its not just about cheering Buck up, its also about giving Chris a chance to do something fun and distract him from his own grief. That is why the use of yellow then ties in so nicely with its use on Chris now.

The other thing that really grabbed my attention about this shirt though is the fact that the two times we’ve seen Buck have a conversation with Chris in his bedroom, he has sat in the same spot and has been wearing one of those two colours - post shooting in maroon and this episode in the yellow ochre - if you watch those two scenes side by side, you see that they’ve used almost identical camera angles as well to film Buck.

I've spoken a lot about the use of maroon as a colour connected to parenthood - especially fatherhood , which is how its intended to be read on Buck - connecting to Eddie and his being shot, pushing Buck into a parental role in Eddies absence.

That alone is a pretty loud reference to Christophers connection and relationship to Buck, but then we have the yellow ochre of it all.

I feel a little bit insane about how close my prediction was on what the Buck Christopher scene was going to be about - this is from the meta I wrote when t he stills dropped;

Whatever this scene transpires being about, based on what we've seen with Buck wearing yellow ochre, we can assume its going to continue to play into this idea of Buck not being fully truthful with people and fitting into the role he thinks people want him to pay rather than being true to himself. I do want to add to this theory by looking at Christophers shirt as well. The grey/ yellow combination is a bit reminiscent of Breaking point (the episode that really is the gift that keeps on giving) because we get Chris in grey and Eddie in tan - that is yellowish toned whilst not actually being yellow There isn't a good screenshot of them together, but the placing of Chris and Buck in the new one has echoes of Eddie and Chris in that scene (one that is interestingly enough playing into the idea of changing family dynamics, but also the moment before and the one that happens afterwards at Bucks loft, directly placing Buck into a parental role (as an aside the idea of Buck being a miracle worker plays into the theme of Eddie looking for magic, just saying!))

Indirectly this scene was about Buck not being true to himself with people and fitting into whatever role he thinks people want him to fit into, only this wasn't an active situation - this was a scene where Buck could draw on his experience of having done that in the past to help Christopher - the line from Eddie 'you didn't end up being like you' is such a call to this and actually shows how valuable Bucks own experiences and learnings are in helping Chris (we've all been joking about Eddie choosing Buck to help him with this Chris's issue, but in actual fact he was the perfect person for the job - not just because of his being a 'reformed player', but also because of his relationship with death and the death of a loved one where you are reliant on others for their memories of a person rather than having your own)

The thing with the Yellow ochre (this meta here that i've already quoted from above is the place to go if you'd like more detail on its use on Buck more widely) isn't just its about it's connection to Buck, his place in Christopher's life and more loosely to the will of it all, (the fact that Buck and Eddie are both wearing the same colour ways as in the hospital bed will reveal scene and are both on the same sides of the screen in both scenes is a stroke of genius and is meant to connect these two scenes together) its also its connection to Shannon.

The first time we meet Shannon, she sits on Christophers bed in more or less the same position as we see Buck and Eddie sit, and looks at where Christopher has been positioned in all these conversations, and she is wearing a burnt orange top thats pretty close to the dark yellow ochre we see Buck wearing. Shannon wears a lot of yellow - as in it there are only a couple of times we don't see her wearing something yellow or with yellow in it and those are key scenes (which I will talk about later on).

Shannons appearance in Christophers room to read the letter she wrote him had her in this black top with a floral patterning on it. She was also wearing green trousers (which can be seen in the still below but aren't actually seen during the scene.

I actually really loved the green trousers and black top as a choice because the top is very Shannon - it sits perfectly with the floral patterns we saw her wearing when she was still alive. The green trousers are a bit of a departure for her, but I think its very intentional for two reasons .

The first is that they are very much in the Eddie trousers wheelhouse, especially in combination with black - he wears green khaki trousers a lot. The inference being that the black and green combination is an echo of Eddie.

The second ties to Christopher. Green is also a colour we've seen on Christopher a lot, it's probably the colour we see him in most. It's being used as a reflection of the fact he is growing and transitioning from child to teenager. But having it here in this scene - on Shannon connects a Christopher growing up without his mom.

Both of these combined really connect into Shannon in this scene, tying the three of them together and on Eddies efforts to keep her alive for Christopher - the underlying implication that his growth into who he is so far is as much to do with Shannon as it is to do with Eddie.

Her necklaces were not identical to the ones we saw her in in season 2, but that's most likely because they don't have them any longer, so they've replicated them as best as they can. The other little nod that I enjoyed is the brown bracelets on her right wrist - the same place Eddie wears his brown strapped Christopher watch!

But the top they have her in plays into a couple of other things - the prominent yellow flowers make an obvious connection to Buck from the previous scene, but they also tie into the 'I want a divorce' scene from 2x17 where she is wearing a dark blue dress with bright yellow ochre flowers all over it. the dress is not especially close to the top in the wider sense - blue dress with white squares v black top with florals in a variety of colours, but the yellow flowers are the prominent aspect of both items of clothing and play into the yellow theme connected to Shannon and then to Buck.

This is espeically relevant when you remember that Eddie is in a black suit in that scene and he's wearing black when he gives the letter to Christopher.

The black for this sequence of scenes is such a poignant choice - its Eddie mourning all over again, not for his loss, but for Christophers loss. I did find it telling that again in this scene, we have the absence of the Christopher watch. Eddie has very rarely not been wearing a watch in his scenes, so the times when we don't see him wearing one are very telling.

For me, in this sequence of scenes, it's about the fact that they are not about Eddies relationship with Christopher, but about Shannons relationship with Christopher. The watch is much more about Eddie and Christopher, so to have it absent from this story arc makes total sense and is symbolic of Eddie being a good father

Then we have Christophers grey shirt - I said when we first got the stills from that scene, how it was likely to be connected to complex family relationships - a la when we’ve seen Buck wearing his grey shirt. And what do you know - the scene was about complex family dynamics/ relationships.

It wasn’t perhaps in the manner I was expecting, but that series of scenes played with the full scope of Chris’s complex family relationships - from the relationship he has with Buck -not only as Christophers friend, but also as more or less Eddies co-parent (the way Eddie asked for Bucks help screamed co-parent rather than friend imo - that whole burnt out car scene was two co-parents discussing their child!) to the relationship he has with his dad - which is a pretty great relationship, but it is a complex one.

The relationship he has with his mom - or the fact he feels he doesn’t have a relationship with her despite Eddies best efforts, because as he grows up she feels further and further away. 

Eddies 'date' night with Marisol. Again I ran out of pictures (30 is not enough!) so you're going to have to use your imagination or go back and rewatch the scene for yourselves, but trust me when I say that Eddie is wearing the same shirt he was wearing for this date night as he was in 4x10 - when Christopher interrupts because he can't sleep!

It's also a similar tee to the one Eddie wears when he has his breakdown and trashes his room (that one was more green when this one is much browner). Its slouchy and has cut and stretched raw edges at the sleeves and on the pocket - in the same way his breakdown shirt did. there is an element of being in familiar surroundings and being comfortable at home, but stretched out raw edges and Eddie generally tend to mean not so great things.

Of course there is the element of his parenting skills being tested by Christophers having more than one girlfriend, but if that where the only reason, then it would've made more sense to have him in that shirt when he's listening in to Chris talking to Buck, rather than when he's on a date with a new girlfriend.

This is especially true as the screen time for that tee has more connection with Marisol than it does with Chris. Combined with the fact that once again, like in the locker room scene, he is not wearing his Christopher watch in this scene and that speaks volumes.

If we are to read the scene as being about Christopher soley, he should be wearing his watch because that watch is a physical embodiment of the importance of Christopher in Eddies life - that he puts Christopher first in all things.

Got to say I was a bit shocked to see Marisol in his bright magenta silk spaghetti strap top when you consider the costumes we saw her in last season - mostly dressed down, t-shirts, jumpers and dungarees so this is a complete 180 for her character.

There are a few interesting things connected to her outfit, firstly it low key ties into Natalia - we saw Natalia in a red version of this top for her first proper onscreen date with Buck (when they go to the badge and ladder joint) so there is an interesting low key parallel to draw there. There is also the fact that her bracelet is a chain one - much like we've seen on all of Buck and Eddies previous girlfriends - although those have been necklaces, so I'm undecided if this chain bracelet is paying into the same trope as those.

Then there is the pink of it all.

You see Eddie and Pink on his girlfriends doesn't bode well for Marisol.

Both Shannon and Ana wore pink. Ana wore it a lot - there are two examples below, but generally speaking its her most commonly worn colour - including on her first date with Eddie in Jinx.

The first example below is from the first time we see her in the Diaz house. the shades are different, but the fact that the first time we see both characters in the Diaz house they're both wearing pink, speaks volumes.

The other key use of Pink is when Shannon is at the beach with Eddie and Christopher and she tells Eddie she's pregnant - Eddie takes it as the sign he has been looking for - the chance to effectively start over with their marriage, but this is the beginning of the end for their relationship, even if she hadn't died a short while later. She is wearing pale pink in that scene and it's the only time we see her wear the colour in the show.

The fact we can also contrast the use of pink with when Buck wears it is telling in its own right - we see the relationship between Buck and Eddie strengthening when Buck wears pink - May's graduation party, the tsunami, the Hildy coffee machine - all moments (big and small) that show the development of various aspects of their relationship and its ability to endure.

Essentially all this use of pink on the women he has had previous relationships with, doesn't bode well for Marisol and the longevity of her relationship with Eddie. How quickly it will end I can't say, just that it will end.

I spoke earlier in this post about colour theming for the episode and this is where I talk about it!

Pink - and in particular the very bright pinks we saw scattered across the episode. Marisol above wearing it, isn't just about connecting her to Ana in costume terms (especially as at this point that costume is a departure of her costumes from s6) it also connects her to the other characters we see wearing bright pink in this episode - Lola and Norman.

At this point in time I'm not sure if we're going to see it play out as a theme across the season, but its use in this episode was very loud on characters that are going to be around for more than 1 episode. It suggests that there is some underlying theme that connects them (by this I don't mean that they're gonna meet and hang out I mean that personality traits are going to be similar)

Magenta and bright pink in colour theory means a few different things, and like with all colours, has positive and negative traits. Generally speaking its a loud and brash colour thats designed to stand out and draw attention to it's wearer.

Things that are considered positive traits for this shade of pink are; intensity, acceptance, kindness and it's supportive and uplifting nature. It's connected to naive love (as in lust rather than the passionate and enduring love of red) can also be considered a nurturing colour.

Negative traits are; intensity, volatility, arrogant and impatient, irritability and irritating and frustration. it is also said to be a stress inducing colour and is said to be overly emotional.

Theres a clear and fairly loud connection between Lola and Norman getting into danger - Lola is in magenta trousers when she is kidnaped. Norman also has bright magenta flowers on his shirt at this point as well. My guess at this point is that we're supposed to lean into the stress inducing element, and also the irritating nature of the colour (On Athenas part at the very least!) and we'll see if those are the themes that play out for Marisol as well down the line.

Norman is in bright pink when he's lying and claiming she's unwell from being outside or too long. We also see that he is wearing pink in the ditsy print shirt later on (again I ran out of picture spaces!)

Athena's black top in this scene is much like the use of Chimney in black in his scenes. It's all about power and authority but it's also about her hiding her vulnerabilities. The other thing it does is creates a huge contrast with Bobby and all of the other passengers - she is the only one in black in the scene and it contrasts her with the underlying white of Bobbys shirt - juxtaposing them and visually putting them at odd with one another.

Like I said above about him becoming increasingly pale - here we see Bobby in a sea-foam green shirt - its the palest and washed out colour we've seen him in on this cruise (grey pyjama shirt not being included as its blink and you miss it and a pyjama tee!!!). Sea-foam green doesn't really play into the traditional meanings of green - there is still the element of renewal about it (the sea washes the sand etc)but its mostly a self-conscious and uncertain colour - both things that perfectly sum up how Bobby is feeling in this moment.

The other fun thing about this outfit is the palm tree shorts the patterns Bobby has worn in relation to this cruise, up to this point (and that includes the shirts from season 6) have all been tropical themed but on his shirts, the fact that they've now slipped down onto his shorts is a visual representation of him becoming increasingly dissatisfied with the way his honeymoon is going - that the tropical vacation vibes are slipping away.

Athenas red and white shirt, in my opinion is showing her cross purposes - its the duality of investigating and being on a cruise in a shirt. The bright red ties into the red and blue first responder colour way the show uses (for obvious reasons) while the white and the palm fronds, the lei flowers and the watery theming of the pattern fit into the troipical cruise they're on.

Bobbys red shirt contrasts with the lavender that we see on Athena - its not a colour we see on Bobby all that often and that makes its use all the more important. Especially considering the entire cruise thus far we've seen him in blues and greens - especially pale closer to pastel tones.

This red is bright snd bold and unlike his usual choices. Red is a colour of cross meaning - there is obviously the connection with love and the heart, which is absolutely at play her - his love for Athena is spurring him on and is part of what is pushing him in to investigator Bobby mode - and its representation of love is what is going to be the key player in the up coming episodes on the ship - when he is looking for Athena during the evacuation etc. But the other meaning of red is war, courage and anger and that is very much present here in this episode, and will (i'm assuming) be later on in 7x02 and 3.

The other thing I think its worth pointing out at this point (which is pure conjecture on my part at this moment in time but that I think will become relevant in the next two episodes rather than this one) is the foreshadowed parallel with Buck in season 5 when he broke down Eddies door. The bright red we saw him wearing then was an uncommon colour for him, in the same way it is for Bobby here. It's paralleling the way Buck was prepared to go into battle for Eddie, with the way Bobby is prepared to do so for Athena - going to war for your closest person, your loved one and doing what you need to do to save them.

Putting Athena in lavender the moment she gets to go into cop mode was a choice that had me giggling! Lavender is a colour of relaxation and order so for her to start wearing it the moment she gets to start being a cop again - speaks volumes for her state of being - it shows that her fear of being on the cruise ship and of being alone with bobby, has been overridden by her need to do her job and start investigating things. Its the perfect colour for this moment and for the impeding trouble brewing on the ship - Athena will bring order to things as order has been restored to her inner world.

Hopefully you've enjoyed this little canter through the costumes of 7x01 we're back in business and I can't wait to read your comments in the tags and comments 🥰

Tagging for those who've asked to be tagged - drop me a comment on this post if you'd like to be added to the list for the next meta 😎

@theladyyavilee @mistmarauder @xxfiction-is-my-realityxx @mandzuking17 @spotsandsocks @loveyou2thecore @wanderingwomanwondering @oneawkwardcookie @leothil @copyninjabuckley @nathleigh @shammers86 @crazyfangirlallert @missmagooglie @inandoutoffocus @katyobsesses @radiation-run @gayandbifiremenofmine @lemotmo @bi-moonlight @satvojihusana @crazyaboutotps @princesschez75 @mongreloer @alliaskisthepossibilityoflove @sherlocking-out-loud

[differentnerddiplomatopera]

Forms Of Affections

(Post Odyssey, Diomedes goes Ithaca AU)

Definitely projecting here, but my mother, as a form of affection, likes to jump me. Full on body slam me. I will never admit it, but I love it. (She already knows)

Now have that, but with Diomedes and Athena. 

Handmaidens/Soldiers:  My queen! We heard screams of-My King, where is the threat. We will-Lord Diomedes, let’s get you inside the-

Odysseus: (losing his crap)

Penelope: (Trying to catch her breath) Oh no. No no, everyone is fine. Please go back inside. No danger is here.

Handmaidens/Soldiers: (Skeptically) Are you sure? My queen, we are to protect you. We sense danger, we come your way.

Odysseus: (Still wheezing) The-the queen speaks truth. We-oh gods- we are under protection of our patron goddess. No need to coddle us, please.

Handmaidens/Soldiers: (still skeptical, but obedient) Yes my King/Queen 

*They leave the gardens*

Odysseus: A-Athena, they left-gone. All gone.

*Athena appears with Diomedes, slung over her shoulder*

Penelope: Oh gods-pfft, Diomedes dearest, are you quite well?

Diomedes, sarcastically: YEAH,  I’M SPECTACULAR, IMMACULATE EVEN!

Athena: You are! Perfect. Your confirmation indicates that I should continue.

Diomedes: Sweet Mother-

*Athena K Os. Diomedes on the grass*

Odysseus/Penelope: (cackling and snorting like nobody’s business. Ha)

Odysseus: Pet, are you having fun? It looks like she is rearranging your spine.

Athena: Oh dear, it doesn’t hurt, does it?

Odysseus:

Penelope:

Diomedes: Seems a little late to ask, doesn’t it?

Athena: Well you haven’t complained yet. I assumed you were having a agreeable time.

Penelope: May I ask, as funny as this is-

Odysseus: Dare I say, this is more enjoyable than watching Palamedes drown

Penelope: Morbid-as funny as this is, why are you doing this?

Athena: I have no medium of affection for you. I have one for Odysseus, Penelope, and Telemachus. I could not figure out one for you. Till now!

Odysseus/Penelope: Awwwwww

Diomedes: Aww, what aww. Am I the only one who doesn’t understand here, explain please.

Athena: Time away from war has dulled your senses, Son of- Diomedes.

Diomedes: Humor me.

Athena: I see after the war how affectionate actions impact you. Now, I want to make such a similar impression on you. I’m no domestic goddess, but I thought could give you something else. You and Odysseus seemed to have fun sparring. Also in the case with Telemachus. I thought I could do something similar. 

Diomedes: By tackling me?

Athena: Essentially, yes. Would you like me to cease?

Diomedes:

Athena: 

Odysseus: Is it just me, or-

Penelope: The tension is unbearable, mmhm

Diomedes: No. No, you can-you can continue.

Odysseus\Penelope: AWWWWWWWWWW MY HEART

Athena: Are you quite sure?

Diomedes: Yeah. Yeah, yeah, yes. I’m sure 

Athena: Spectacular! Let’s proceed

Diomedes:  And Odysseus can go next.

Odysseus: ... I’m sorry, who?

Athena: My owl traits have passed onto you, it’s seems

Penelope: (wheezing) I love this fucking family